DAATH:

• The Hinderers (2007) A hybrid of technical death metal, symphonic metal, and black metal with a bunch of crazy solos thrown into the mix. The combination sounds cool, but overall I think the results are a little bland and disjointed. First, if you know Bloodbath, you know what to expect from the death metal portion of the CD, midpaced material that has some faster bits, but not too much in the blasting / doublebass department. Lots of keyboards on this album, and overall, I think that's the part I dig the least. Stuff that should sound symphonic and grand instead come off as mid-80s videogame music. I applaud the experimentation, but the samples just strike me as too primitive. And the "rave" style samples just do not work with the otherwise aggressive mood of the album. Vocal wise, midpaced growls. And there's a lot of guitar solos in this album, some really nice work actually, a few of the solos are really well written. Some songs are cool, but many lack energy, and a lot of these riffs leave you that feeling of deja-vu. Production is excellent, thanks to James Murphy, who also does a cool guest guitar solo later in the album. I picked up this album for 2 reasons. First, I liked the first single that showed up on MTV, 'Subterfuge'. However, that song is by far the best song on this CD. And second, Kevin Talley is on drums, and I'm a fan of his work with Dying Fetus and Chimaira. But then it appears that he only plays on 2 tracks (even though he's now their permanent drummer), so that's not much of an incentive. This falls into the try before you buy category, I can see some people really liking this album, but to me it felt some some cool elements that never successfully gelled.
• The Concealers (2009) The review I did of the band's first album was not the most glowing review I've ever done, but I have to admit that over the years, the album has grown on me a lot. And in this followup album, the band has dealt with a number of the problems I had with "The Hinderers". First off, this is a much more straight forward death metal album. The band still has the melodic and classical elements, but there are far fewer keyboards this time around. Second the remaining elements gel together a lot better. And lastly, and I don't want to say their last album had bad riffs, because it doesn't, but the songs and riffs on this album are just a step ahead from their previous material. Plenty of blasts, groovy bits, great head banging material. A really good solid death metal album, I can definitely recommend it.
• Daath (2010) Afraid this is a step down from their previous material. The first thing I noticed was how forgettable the songs were compared to their previous 2 albums. I listened to the album all the way through while doing some work, and at one point was really digging the song I was listening to, then suddenly I realized that the song I was listening to was from their first album, I had already gone through their entire new album on itunes and looped into the debut without even noticing the songs from the new one. I started the album again from scratch so I could concentrate on them better. The first song starts with a really long intro, and the last 2 minutes or so is the first song. Then the second and third songs were only 2.5 minutes long. To pull off a 2.5 min song, you really need a strong memorable riff or hook, since you don't have a long time to deliver your message. These songs were missing that necessary super tight riff. The Concealers started off with 'Sharpen The Blades', which has an immediately memorable riff and memorable chorus, it grabs the listeners ears, and then keep it for the subsequent songs. This album just doesn't have that level of catchiness, the level of high energy. There are a few good parts, the slower riff in 'Double Tap Suicide' is nice and chunky for example. But overall, the song writing just isn't as good, and the flow of the album is really odd. I'd have to give it a miss, maybe their next album will be back to their old selves.
  

DAM:

• Come To Dust (2001, Demo) Three song demo similar in style to "City Of Envy", but production wise a little more high end and not as muffled. Mind you, I'm listening to the 2003 remastered version, not the original, so the better production makes sense, since it occurred after 2002. Still not 100% to a professional recording level, but on the way.
  
• City Of Envy (2002, Demo) Dam shows off three new songs on the "City Of Envy" demo, which is a good cross between black and death metal. Strummed chords (black metal) are interspersed with more chunkier bits (death metal), and some more technical melodic guitar work (ala Death, the band that is). Vocals are generally screamed, with a few spoken word parts between. Drums wise, reasonably complex stuff, not over the top technicality, but blasts and double bass mixed with the occasional complex fill. Song wise, these guys have something good going on. They have a good sense of how to build intensity with the right combination of riffs, groove and aggression. The music really seems to start somewhere, go somewhere and end somewhere, as opposed to being so crazy intense it always remains just somewhere, and overwhelms the listener with chaos. Production wise, it's bass heavy and a little muffled, but fine for a demo. You can sort of listen to the music and imagine it with stellar production, and the result sounds killer. Can't wait for their first album.
• Purity: The Darwinian Paradox (2005) All of what the demos promised and more. With their debut, Dam's special blend of black and death metal is finally readily available to the masses. And I hope they eat it up, because not only is this great material, but the band already has a pretty unique vibe. Imagine that, originality! A band should be rewarded for such daring! While you can hear bits of Death, Carcass (they end the album with a cover of Carcass' 'Forensic Clinicism/The Sanguine Article'), and certainly any number of black metal influences, the result is ends up being way more than the sum of its parts. Vocals are somewhat processed, hoarse shouts, like the singer's being slowly strangled for the duration of the cd. Guitar / basswise, a thick wall of sound, slightly muffled but large and powerful. Drumming varies from blasting to midpaced technical work, not as complex as say Death's later albums, but certainly interesting and unconventional. The songs flow really well, not a random collection of riffs, obviously a lot of thought has been put into the song structures. My only complaint is that the production quality shifts a bit from track to track, one having a little too much treble, another a bit too much bass, but the good songs and strong performance make you quickly forget about it. A great first step, I can't wait to hear how the band evolves considering the strong start.
• The Difference Engine (2007) Not as good as their first album, but still decent. The main issue I have is with how the album begins and ends. The first 3 songs are kinda boring. They're definitely more black metal oriented, are are generally the same note droning on and on with very little technicality or variation. And it's really easy to anticipate the chord progression of the riffs. The album ends with an instrumental called 'New Quest' that is too similar sounding to material on the rest of the album, and then a slower song that doesn't seem to ever get intense. Thankfully, the album really starts with Track4, 'Mirror-Image Ritual', which is far more complex, and has some more melodic bits similar to Death or the arpeggiated bits from Carcass. Then track 5, 'Made Of Beasts', is just fast and blasting with lots of energy. Tracks 6 and 7 are just as intense and cool sounding. So I guess what I'm saying is you get half of a really good album, and the rest just doesn't excite me. Still worth buying, but you may find yourself listening to the middle of the album only.
  

DAMAGEPLAN:

• New Found Power (2004) The Abbott brothers are back (Darrell on guitar and Vinnie Paul on drums that is), Pantera is a long gone memory (RIP), and their newest band is ready for action. The result is a rather uneven cd with a few good tracks and some so-so material. I have to admit I wasn't terribly excited after track 1, which is a very simple mid paced song that doesn't really seem to go anywhere musically. Track 2 reminds me of newer Sepultura, again, nothing too special. Track 3 'New Found Power' is where the album finally starts picking up with some real intensity with a nice double bass drum lick and a song that actually builds in intensity. Track 5, 'Fuck You', could totally be a pantera song in the spirit of 'Fucking Hostile', with screams, squawks, unmistakable Darrell solos, ultra low guitars and vocals that sound a lot like Phil Anselmo. The rest is a mixed bag, some good songs, some that I skip when they start. The production is excellent of course, no issues there. In general, expect something that sounds sort of like Pantera, with a little Alice In Chains mixed in the vocals sometimes, and some more straight ahead rock stuff. Is it a good album? I'd give it a B, it has some cool stuff, but the band is definitely trying to refine their style. If they focus a bit more on their next album and avoid the rocking stuff, they may have something here.
  

DARK ANGEL:

• We Have Arrived (1985)
• Darkness Descends (1986) The similarities to Slayer are striking (but why not, after all, the young Gene Hoglan on this CD got his start by holding Dave Lombardo's bass drum in place during studio sessions). Lots of riffs, good songs, yelled vocals with the occasion glam rock high note, good double bass drum work. The production is good, a little sloppy, but passable for the time. The recent Century Media reissue of the CD includes 3 bonus live tracks, where they perform live version of three of the songs off the album. Considered by many as a milestone in the genre, I don't know if I'd go that far, but a good album to have in any metal heads collection.
• Leave Scars (1989)
• LIVE Scars (1990, Live) Decent quality live album of the legendary thrash/speed metal band. What can I say, they sound like Slayer (well, didn't all speed metal bands of the day sound like that?) except dare I say they're playing even faster? Probably due to drum god Gene Hoglan on drums. Yes, this is the band where Gene started his slow but sure domination of the earth. Good riffs with lots of downpicking and single note fills harmonized up a fifth. Reasonable production for a live album, but it can get sort of muddy sometimes.
• Time Does Not Heal (1991) The Slayer influences are finally gone. And what's left is one hell of a good album. Complex riffs, memorable riffs, lots of quick spurts of double kicks. Excellent production. High, high quality thrash. The vocals sound too whiny though, but it doesn't detract too much from the excellent song writing and excellent sound. The band truly matures on this their last release, I'm listening to it for the first time in 1999 and I still think it's impressive. If you've always wanted to check out the legendary band but didn't know where to start, get this CD.
• Decade Of Chaos (1992, Bestof)

• Calling The Earth To Witness (2007) One part Dream Theater (especially the "Images And Words" era), one part Yngwie Malmsteen (for the general vocal style and some of the guitar and keyboard solos), with just a touch of Meshuggah and maybe a dash of Anacrusis, Darkwater may not be the most immediately original band out there, but the resulting influence mix makes for some fantastic melodic prog metal. Guitarwise, there's plenty to love, lots of super heavy and tight odd time signature start and stop rhythms, with some atmospheric keyboards overtop. Drumming is complex but not so complex as to become distracting. The songwriting is fantastic on this album, the riffs will stick in your head after only a single listen. The songs are long too, in the prog tradition, many of which pass the 10 minute mark. The production on this recording is also fantastic, the sound is thick but crystal clear. My only pause is the vocal production, I got the chance to see this band live a few days ago, and Henrik's vocals were really powerful. Many people when they sing high, their voice gets thin and a little shrieky. In contrast, Henrik seems to effortlessly hit the higher notes with incredible power. But the vocals captured on this album are just missing some of the bite they had live, it may be a mixing problem, or maybe his voice has gotten better in the last year since the album was recorded. Regardless, I hope they spend a little more time on their next album getting the vocal quality perfect, I know he can do it live, now it's just a matter of getting it recorded the right way. Anyways, the style may not be everyone's cup of tea, but if you like bands like Dream Theater, I have to admit I really liked this album, and I highly recommend picking it up, it's just got great great songs, and the perfect mix of heavy and melody.
• Where Stories End (2010) Another excellent album. Overall it's pretty similar to the first, with a few small alterations. First, the keyboards are more prominent on this album, with the guitars sound including a little more reverb, so the production isn't as in your face as their first album, but still good. From a style perspective, the album is a little less Dream Theater, and slightly more Yngwie, so expect more Neoclassical elements. And the songs, while still long, aren't as long as on the first, so no 10min + tracks this time (things fall more into the 6min category). Also, I feel the album is a tad bit slower than the first, so expect more midpaced tempos overall. Thankfully, the catchiness of the songs and the excellent song writing is still here. The first single 'Why I Bleed' sticks in your brain, and it won't be the only one by the time you've gone through the whole album. Overall, I still think I prefer their first album a little more, but this is an excellent follow-up, hopefully they go for the slightly longer / faster tempo songs again on their next one.
• Human (2019) After a very long delay between albums, Darkwater is back with their 3rd outing. And while still not as great as their debut, I feel it's a great improvement over their second album. While they still have melody, "Human" is back to being heavier, with a much stronger focus on the guitar. The songs are generally longer and more epic as well. They obviously spent the extra time on the riffs and song structures. Lots of standout work here, my favorite track is probably the opener 'A New Beginning', it has the crunchy guitar, the melody, the keyboards and some tight energetic drumming. After the piano intro, 'Turning Pages' opens to a nice skank beat that I'm sure would lead to moshing live. If you were only so so on their last, give them another try with "Human".

• Cold I Am (1998, Demo) 3 song demo, somewhere between death metal and thrash comes Dauntless. The first song is pretty catchy although riff wise pretty simple. The second song is much stronger song that has a good groove in the verse section with a very vague Megadeth feel to it, but sounds pretty original otherwise. Song 3 is a fast one, good way to end. Recording quality wise, it's a demo, so don't expect perfection, it's sorta muffled but not horribly so.
• InhumanKind (1999, Demo) 5 song demo. Plenty of good thrashy riffs with the occasional blasting, and death metal style vocals. A definitely improvement in song writing from the first album, as well as much better production (only ever so slightly muffled)
  
• Modern Ways Of Discipline (2002, Demo) Here we go. Track 1, after a short sound clip, starts with a vicious guitar riff that sets the pace for this great EP. Plenty of good riffs and hooks make these songs the best the band has produced so far. A good mix of Testament, Death, old Metallica and some more standard death metal influences. The tunes are a little more focused and intense too. Productionwise, again, another big step up. The guitar has this nice crunchy tone that's razor sharp on top, and on the bottom a nice thump when they palmmute. Would someone sign these guys already?
• Ruins MMIV (2004, Demo) Much in the same vein as their last demo, but this time they have absolute picture perfect studio quality production. 3 short songs, but they pack quite a punch, and can stand up beside any of the modern thrash acts like The Haunted. Why they are still not signed is beyond me. Go here to listen to the demo in mp3 format.
• Execute the Fact (2007) Highly impressive album. For those of you who've heard the band's demos, many of these songs are re-recordings, but it's great to finally get an official CD out of the group. Mixing elements of thrash and death metal, Dauntless produce some really killer songs with killer riffs. Production wise, this album is excellent, the guitars have a big sound without getting mushy, the mix is clear and punchy. Maybe a tad too much reverb, but hey, that's their style. Many memorable songs, nice drumming that's fast and hard hitting without being overly fancy, angry shouted vocals in a slightly more death metal type vein (and some crowd shouting in the vein of early Meshuggah). Fans of the heavier parts of The Haunted or Koldborn, or any of the more extreme speed metal/thrash acts like Slayer will really enjoy this album. While thrash as a genre is considered by many as dead or passé, this band really breathes new life into the style in a serious way. This album is a little hard to get if you're not in Europe, but it's totally worth the trouble tracking down a copy.
• Death Row Poets (2008) A new full length album from the band, overall, a more polished effort without losing all the great stuff from their debut. The production quality is a little more even, I liked the loud distorted sound of their last album, but on this album they have a more professional mix, not quite as raw, but it still has a strong bite. And, as with any thrash record, it's all about the riffs, and these riffs are great, catchy and intense. These guys are great songwriters. For fans of Koldborn, Machine Head, The Haunted and Martyr, you need to check these guys out.
  

• Demo #1 (1992, Demo)
• Apparition (1992, Demo)
• Promotional Demo (1993, Demo)
• The Eternal Forest (1993, Split CD) First off, a little background, I had recorded "The Eternal Forest" EP off the radio many years back, but didn't know the album name at the time. Later when I tried to find the band, the band I found was a black metal band (the stuff I had was most certainly death metal), it was only later I found out that the band had originally been a death metal band before going black metal with the release of their first official album "Nær Solen Gar Nider For Evogher". So anyways, "The Eternal Forest" is 4 tracks of low, wall-of-sound death metal. There's a lot of reverb going on here, but instead of making the production sound weak, it gives it this huge plains-of-battle feel, ala Bolt Thrower (without really sounding like Bolt Thrower). The thing that really sets this EP apart is it's great songs. And plus, I've always found the chorus to "Thirst Of The Dead" highly creepy. Fans of midpaced death metal like Bolt Thrower or Benediction may wish to check this EP out.
  
• Nær Solen Gar Nider For Evogher (1994)
  
• Sorgh på Svarte Vingar Fløgh (1996, EP)
  
• Slaughtersun (Crown Of The Triarchy) (1998) 
• Slaughtersun (Crown Of The Triarchy) 2 CD Set (2004) 2 CD set which includes their album "Slaughtersun: Crown Of The Triarchy", "The Eternal Forest" split CD, "Naer Solen Gar Niber For Evogher", and their "Sorgh Pa Svarte Vingar Flogh" EP. A good way to get a copy of their "The Eternal Forest" split CD, or if you're a fan of black metal, a good way to listen to any of their other 3 albums contained in this set.

• Sedition (2005) Very similar to their second album "Relentless" in style. All the same influences are evident, Gorguts, Slayer, Immolation and Exmortem. The production quality is a little better than a Demo (in fact, I'm unsure if this isn't in fact a demo), it sounds like there's some clipping going on, like all the instruments were just set too loud for the recording. It's not unlistenable, just don't expect any polish. Also, the doublebass is a little uneven (the drummer was replaced on their second CD). Song writing wise, the songs are decent, but nothing to write home about. It's obvious that the band practiced a lot to get from this stage to the precision they got on "Relentless", still this is an interesting album if you'd like to see the origins of the band. As a standalone album, it's only soso.
  
• Relentless (2009) Sorta similar to Immolation, or later Gorguts but with a slightly thrashier sound. A good example is the first two tracks. The opening instrumental intro wouldn't sound out of place on a Slayer record, but then the second track has all the odd chord progressions of bands like Immolation, Gorguts, or to some extent Exmortem. The production is decent, the vocals are croaked like a cross between Luc from Gorguts and the high voice from Carcass. From a riff perspective, things are generally good, and then there are a few songs that are just spectacular. Like about 2 minutes before the end of 'Liquor And Lust' there's this chugged riff that's amazing. Unlike most albums, this album actually gets better and better as it gets to the end, with fantastic tracks like 'Sinew, Sin, Discipline', and the best track on the album IMO is the last track, 'The Flames Of Failure', which starts with this super tight and precise chugging riff with blasting. This riff is one of the catchiest riffs I've heard in a long time, and you'll have a lot of trouble getting it out of your head. This CD is definitely worth a listen, there's some great material here.
• The Tides of Damocles (2015) This is an all cake album. What's that, you say? As in, I feel it really needs a little icing to make it a complete package, but as far as cake goes, the cake is very very solid. Strong riffs abound here, great production, relentless pace and attitude. Not a big departure from the band in terms of style. The only downside is that after its all over there's nothing to hum. The last song 'The Flames Of Failure' on their previous album is a great example, an awesome riff that you just want to keep rewinding again and again. This album lacks riffs like that. The riffs it has are good riffs, but there needs to be just a few ones that stand taller than the rest, and sadly that's missing. But fans of the band should find plenty to enjoy.
  

• Invention: Destruction (2006) Side project for two guys from Fuck... I'm Dead and the vocalist from Blood Duster. Sorta midpaced goregrind (don't expect any fast blasting or anything) with super low processed vocals (and the occasional high pitched screams). Think the midpaced parts from Broken Hope's first album "Swamped In Gore", and you'll understand what this album is all about. The sound is good with some serious bass and a little bit of extra rasp on the guitars. The ridiculously low vocals are fun to listen to, and while the songs aren't super original, they have a good groove to them. If you like Blood Duster or Broken Hope, check this group out.
• Brutal (2008) If you have their last album, you know what to expect. If you don't, then buy this one now! This album truly is the epitome of brutal. First, the album is called "Brutal". Second, the band logo on the front is one of the most difficult to read I think I've ever seen. And third, this album is so brutal, they didn't even bother giving the songs names, they're just Track 1 through 10. I think Track 3 is my favorite, with a really nice groovy riff, although the main riff to Track 9 is pretty awesome as well. The vocals are as usual just sick, super gargled and processed, and the guitars are tuned down beyond recognition, and the production has gotten a little cleaner without losing any of the super distorted nastiness. The riffs are really groovy, you won't be able to sit still listening to this music. Highly recommended.

One of the finest bands in the genre, the band has been held together by guitar player/singer/leading man Chuck Schuldiner who has a style all his own.

• Scream Bloody Gore (1987) It's difficult when you hear an album like this for the first time in the late 90s. Simply because it sounds unoriginal. But then you realize that these guys were doing this long before anyone else did, if anything the music you've already heard is unoriginal compared to this. But as it stands now, a classic album, but nothing super spectacular. Good production, standard drumming, some nice riffs, but a lot of filler as well. Chuck's evil screams. I'm sure in '87 this would have blown me away.
• Leprosy (1988) Sounds similar to most other thrash albums of the time, lots of boom-chick drumming, decent riffs, and good production (quite well mixed considering the time, although Chuck's signature guitar sound isn't there yet). A few glimpses of the experimental and melodic elements that would make this band so great.
• Spiritual Healing (1990) Similar to their last album (same guitar tone, same so-so drumming from the same drummer), but a few more melodic interludes with strange single note harmonies, the riffs are starting to sound more like the Death we came to know and love. Still not the most original, but it sets the stage for their next album, which is a masterpiece. Some nice soloing by Chuck and guitar great James Murphy.
• Human (1991) This is one hell of a good album. The riffs are amazing, just when you think that you're listening to the best riff and they can't possibly write a better one, the next section of the song is even better. Very technical, with more bass than on "Individual". A much more inventive drummer now graces the band, and he's fast too. Arguably their best album.
• Fate (1992, Best Of) No review. Buy this if you want to try out the band, otherwise, get all their other albums.
• Individual Thought Patterns (1993) While the mix is very soft, the riffs are definitely well played, and very technical. The doubles are also completely insane (what else can one expect from Gene Hoglan).
• Symbolic (1995) This is a great album. A really great combination of aggression and melodic riffs. Great song writing, great solos, Gene on drums. Nuff said.
• The Sound of Perseverance (1998) After a false attempt at starting a new band (Control Denied), Chuck is up to his old tricks again. But he somehow manages to keep everything fresh with this new release. Great riffs, experimental riffs, great riffs, some very inventive solos, and his usual mix of high note single picking and low chugging. Did I mention great riffs? The kind of riffs where you just say "cool". Chuck's voice is more shrill on this album than on previous releases, more angry and fierce. And the drums are exactly what you'd expect on a death record, exceptionally complex cymbal work, and fast, pounding double bass. This album showcases everything that makes Death an innovator, and turns it up a notch. Excellent song writing. I am very impressed with this album, all Death fans, take a listen.
• Live In L.A. (Death & Raw) (2001, LiveCD) A pretty decent bootleg. The song set is great, a really good mix of stuff, and chuck's voice is as scary as ever. Unfortunately, the mix on this album ain't all that great, you can barely hear the bassdrums, in fact the drums altogether sound very thin. The bass is ok, but needed to be brought up a few notches (Chuck's music is already treble heavy, so a good strong bass is vital to retain definition). Also, there are several goofs, notes slightly out of tune which detract from the performance. Probably not the best concert to release, hopefully when chuck gets better he'll do another death tour and they can get a better recording done.
• Live In L.A. (Death & Raw) (2001, LiveDVD) See my review of the CD above, same issues. Visually, the performance is fun, the stage antics remind me more of an 80s metal act than a modern death metal troop, but Chuck definitely has presence on stage, that voice, fuck, it must cut through steel. You also forget sometimes how complex this music must be to play, especially for the drummer, until you see it happening. Video quality wise, I'd probably label it a really good bootleg, with multiple camera angles, but they don't move too much.
• Live In Eindhoven (2001, DVD) Ok, here's the live death album that does credit to the band. Very slick package, this is the band playing the dynamo open air festival, multiple cameras, excellent video quality, the cameramen usually switch to the right person at the right time, although the drummer really doesn't get featured much till the end of the DVD. The music is right from the soundboard and is mixed great with plenty of bass and it's all very clear. Right up there production-wise with the best live albums I've heard. The only real downside is it's only 11 songs, a good variety in there but still so many great songs end up getting left out. Otherwise a must buy for fans of the band, I believe it's only available through mailorder from Nuclear Blast, so go bug them for it.
• Live In Eindhoven (2001, Live) See my review for the DVD, this is the CD soundtrack, basically identical to the DVD except no video.
• Symbolic The Expanded Edition (2008, Reissue) Death's spectacular album "Symbolic" remastered and with bonus tracks. First, the remastering is very minor, so don't expect a night and day change to the mix (and anyways, the original recording sounds great). The bonus tracks include 4 pre production demos from the album, so they're all instrumental, with a few song structure changes, a few alternate solo takes, etc. The sound is decent on the demos, but there is some tape warble and sound dropping out every once in awhile. The album ends with a very rough 4 track demo which includes vocals and a very simple drum machine track. If you already own the album, the demos are definitely cool, although perhaps not vital. If you don't own the album, pick this up ASAP.
  

• Death Destruction (2011) Sort of a cross between old Meshuggah and Pantera. Other influences would be bands like Lung Brush, COC or Lamb Of God. So plenty of odd timed rhythms, but with a little more catchiness and groove to the songs. Like track 3 'Fuck Yeah' is a great example, catchy chorus, big groovy detuned guitars, lots of bent notes, and even some spoken word segments ala Phil from Pantera. While nothing new, it's obvious the band is just trying to have some fun doing some old school metal, and so I can appreciate that, especially since the song writing is decent. May not be everyone's cup of tea, but if you dug any of their influences, check these guys out.
  

• Death Machine (2003) Labeled as "perfect for Meshuggah and Soilwork fans", and I can't really argue with that, although a more apt description may be that this is the new Anacrusis for the 21st century (think "Whispers and Screams"). We're talking about a lot of guitars layered on top of one another (and a distorted bass) with lots of reverb, but not the kind of reverb that makes the sound weak or far away, this sound is very very in your face. Riff wise, songs are mostly comprised of Meshuggah style off-time riffs that tend to repeat again and again in a droning fashion. The simplicity of the songs aren't a real detractor though, since they spice up these passages with keyboard / acoustic guitar / piano / symphonic bridges that helps break the music up a bit, the contrast helps keep the intense parts intense. Vocals are primarily screamed. This was an impulse buy, not knowing anything about the band beyond what I saw on the package, and have to admit I'm pretty impressed, and will seek out more of their material in the future.

• Utopia In The Eyes Of A Beast (2003) Another low, gargly band in the vein of Malignancy, Fleshgrind or Dying Fetus. The band is a little slower than say the new Lust Of Decay I recently reviewed with some slower chunkier parts. Production is again, sort of muffled with tons of bottom end. Gurgled vocals, tremolo picking, squawks, fast and complex drums. The band is a little more into solid riffs than just throwing notes out there which is cool. Still though, the band does need a little something extra if it hopes to stand out in the crowd, whether that be better production or some more variety to the songs. Certainly well above average, but with so many releases like this coming out these days...
  

• The First Damned (2000, EP) The first 7 tracks are from their "Eye Of Horus" demo in 1998, many songs appear on their later studio albums. But you know, for a demo, wow, this has pretty nice production. Hell, it's better than Morbid Angel's "Heretic" album which I recent reviewed. All the instruments are nice and clear, razor sharp, tight guitar tone, plenty of bass, if I had to describe the mix, I'd say all the elements are fine, they just don't 100% gel together as they do in their later studio albums, it's like a cake whose ingredients haven't been blended yet. Then 4 tracks from their 97 demo "Cemeteral Gardens", which also has great production for a demo, a little more bass and a little less treble than their later demo. The two live tracks that end, other than the extra reverb on the vocals, sound like they could be studio recordings, hence they don't feel very live, although they are nicely produced. I don't know, just about all these songs exist on their later albums in a better form, so this isn't a must-buy, probably only for people who must own everything from the band.
  
• Winds Of Creation (2000) This shit grabs ahold of you pretty much right off the bat after the first 20 seconds or so. First off, the production quality is fantastic, while it can get slightly messy when all the guitars start going at the same time, you get a nice razor sharp high end along with plenty of bass. The drums are very triggered, which helps the kicks cut through the wall of sound (damn those things are fast). The band definitely likes choking their sound, this stuff is very technical while remaining very moshable. Fast solos, these guys have definitely practiced their scales. In many ways, the album reminds me of Sinister's "Aggressive Measures", not that this is a clone band or anything, but it has the same level of technicality, with great songs, tremolo-picked-tight-as-fuck riffs, and a similar mix of blasting and double bass. Considering that Sinister album was one of my favorite albums, you can tell I'm really digging this release. Also includes a cover of Slayer's 'Mandatory Suicide'. Fans of technical death metal should definitely check this out.
• Nihility (2001) Similar in style to "Winds", although the production has slightly less bass, so the sound is a little higher pitched. Doesn't detract too much from the songs, helps with the clarity a bit actually. Song wise, plenty of good stuff here, sorta Sinister meets Vader. Very complex double bass stuff here, I don't know how he does it, a lot of jumping between triplets then 32nd notes without missing a single kick. I'd guess it was a drum machine in some spots, except it does appear to be a real drummer doing the deed. Overall, I think I liked "Winds" a bit better, it was slightly more raw which gave it a more angry vibe, but this release is still great, just in a more refined kind of way.
• The Negation (2003) After hearing the first track a few months ahead of time, I was really excited about this new cd. However, after listening to the whole cd, I was slightly disappointed, because I felt the songs were all too similar to each other without much variation. But slowly after a few replays and actually listening to the music instead of just having it on while I was playing on the computer, I came to realize that despite the lack of originality, these songs kick some serious ass. All the old elements are here, kick ass production, really fast drumming, very very tight tremolo picking. The songs are a little simpler and more striped down, not quite as many "holy shit I've never heard something like that before" riffs, but again, after a few listens, it didn't bug me anymore, this is one solid, solid piece of cake. Maybe next time they could add a little more icing, but otherwise, one of the best death metal albums this year so far.
• Organic Hallucinosis (2006) A little closer to their "Winds Of Creation" or "Nihility" albums with the variety and complexity to the songs, but with the kickass production of "The Negation". All the stuff you'd expect, superfast blasts and double bass, razor sharp guitars, precise riffs and great songs. New vocalist Covan does a good job, but I preferred Sauron, Covan's voice is a bit too hoarse, where Sauron had more body to his voice. The drumming is particularly spectacular on the closing track 'Invisible Control', Witek shows amazing control, speed and evenness on the doublebass. But really every track is pretty damn spectacular. Maybe the best album yet for the group, if you're a technical death metal fan, you need to own this album.
• Winds Of Creation + Live DVD (2007) Reissue of their first album with a bonus 45 minute live DVD. The show is from Nottingham, UK from Dec 20th 2004, so it's just before they swapped vocalists. The video is mostly handheld, but the picture quality is great, the camera switches at a good pace, and there's a good number of  cameras to choose from. My only complaint is they rarely get good shots of the drummer (the stage is kinda small, so they don't have a lot of space to work in). The performance is good, there's a few small flubs here and there, but it doesn't really detract too much from the show, and they're mostly at the beginning of the night when they're warming up. The soloing is particularly precise and clear, especially since there's no second guitar to be heard over. The sound is excellent, obviously a sound board recording. And they play just about all my favorite songs from the era (first 3 albums), including an excellent rendition of 'Winds Of Creation' and 'Nihility'. I'd recommend tossing your original copy of this album and buying the one with the bonus DVD instead.
• Human's Dust (2008, DVD) First full length DVD for the band. The first thing you need to know is that most of these shows are old, the primary show was back from 2002 when they only had 2 albums out. That show (from Krakow in Oct 2002) has excellent sound (a single guitar makes the sound a lot cleaner, especially during solos), and the camera angles are great, but is ruined by fast camera switching, making it virtually impossible to watch the show. The set is rather short, only 8 songs. Going into the bonus material, you find 2 other shows, a 3 song show again from 2002 which is not as polished from a production perspective, but the camera switching is far slower which makes for a much more enjoyable experience. Then one 6 song show from 2004, which includes material from their 3rd album, which is probably my favorite show of the bunch. The sound is a little muddy and far away sadly (although the addition of the second guitar still doesn't interfere with a clear solos sound), but the cameras switch at a nice pace, and they play a lot of great songs from "The Negation", which is one of my more favorite albums of the band. Also in the bonus section is 3 long interviews with the band (In Polish with english subtitles), including one with drummer Vitek back in 2002. This DVD is generally ok, but the band has yet to produce a DVD with footage after 2004. I'd still recommend picking up this DVD, anything to support the band. Taking into considering the tragic death of Vitek, I would hope buying the DVD will help his family out financially even if only a little, but I still feel like the best DVD is yet to come when they finally release footage of songs from their 4th ground-breaking album.
• Carnival Is Forever (2011) After the horrible death of drummer Vitek and their vocalist Covan still in a coma (following a bus crash while on tour), it was not altogether clear if the band would ever record again. Even if they did, it certainly wouldn't be the band we were used to. But remaining founding member Vogg decided to move forward, and honor the memory of his dead brother Vitek by continuing the band with new members. In some ways, this album feels a little like Meshuggah's "Chaosphere". It's the same general sound as their previous albums, but the songs are a little more abstract, rhythms in odd time signatures are played over and over again to produce a sort of trance like effect. Even with the repeated riffs, this album is incredibly complex, not only on the time signature front, but the interplay between the guitars and the drums, the drumming overall is highly complex with lots of tom and cymbal work thanks to new drummer Kerim "Krimh" Lechner. I love how several times the double bass pounds away steady while the snare follows along with the guitar rhythm (which is the opposite of say a band like Meshuggah, where the snare keeps 4/4 time and the kick follows the guitar). The album even has a 9 minute title track that has a very simple root flat fifth chord progression, but with the accents in all the seemingly wrong places, it sounds amazingly fresh. Also a bit of a departure, several of the bands song's have guitar solos over top bass and drums only, with no rhythm guitar track, a node I would say to early Van Halen and Pantera. Also, Vogg uses acoustic guitars to break things up, to great effect, it definitely gives the album a bit of a sinister vibe. New vocalist Rafal Piotrowski sounds reasonably similar to both Covan and original vocalist Sauron, so don't expect any surprises, just high quality mid-range growls. If you love Decapitated, you will love this album. "Organic Hallucinosis" is still probably one of my favorite death metal albums, and this one is more than a worthy followup. Vitek and Covan would be proud.
• Blood Mantra (2014) Big departure for the band. While their last album was a slight departure from their style, this one is a real departure, and in fact sounds very little like Decapitated at all in many songs. Track 1 is a good example, the main riff sounds way more like Krisiun, very straight forward picked riff in straight 4 count. Track 2 sounds a little more Decapitated like, as the main riff has a note being bent and tremolo picked at the same time with fast blasting underneath. Then track 3 has a more Skinlab feel with straight forward 4/4 drumming and a pretty simple rockin riff overtop. Overall, the songs are just too simple, and not experimental enough. The drumming tends to be too straight forward, the riffs don't have enough off-beat parts. Basically no "hell ya: moments or inventive riffs. 'Blindness' is 7 minutes of the same short uninspired riff repeating again and again. And track 8 is a lackluster clean guitar part played really quiet. Sorry guys, just not digging this album. It needs to be faster, more complex or more experimental. Or all 3. But not more straight forward.
• Anticult (2017)
  

• The Lament Configuration (2002) Earache actually releasing some heavy music again? Apparently, this 4 piece from Reno Nevada are certainly angry folk. The first thing that struck me is the band sounds like Punchdrunk or Subversion. Then I looked at the credits, Devin Townsend was the producer, doh! Devin does a great job producing, but when I listen to a cd by a band, I prefer to just hear good production, as opposed to production that obviously came from a specific producer. Anyways, despite that nit, overall a really good album. Sound style it's got a lot of highend which can get kinda nasally sometimes, but good bass keeps it all together (absolutely 0 mids), plenty of overdubs and reverb in the standard Devin style. The vocalist does mid range stuff, high pitch screams, etc. Plenty of anguish. Riff wise lots of memorable stuff, generally chunkier stuff and fast picking, minimal tremolo stuff. These guys are good at writing distinct songs that hold together tightly as opposed to just a barrage of riffs that sorta work together. Check it out if you like more song oriented chunkier death/hardcore type stuff.
• Praying Hoping Nothing (2003) So now, is this a previous album from the band? Or some sort of rare / demo cd? I open the cd case and check out the 2 page explanation / history lesson, and I'm still not sure. All I know is that most of this material was made in 98 and here we have it now. And it's pretty damn good, I know that too. The first thing I found funny was that the sound and vibe of the CD sounds very similar to the stuff off the Grrr compilation, a compilation of bands done by Devin Townsend. Devin was also the producer on the new December record. So it seems that before the band even met Devin, the sound they were getting was already pretty similar to the stuff Devin does, which is sort of cool, probably explains why they got him. Since all the songs weren't recorded at the same time, a few sound a bit different production wise, but it's all still good, plenty clear and intense. If you're into the band, you'll be into this cd, plenty of good riffs, angry screaming and moshable parts. Eleven original tracks, the album ends with 3 covers by Death Angel, Skunk Anansie and Motorhead.
  

• ...And Time Begins (2003) Very well done death metal, but with little in the ways of originality. The band has a lot of good stuff going for it, good production, Tim Yeung on drums (you may remember him from the first Hate Eternal album, very fast and accurate drummer), but I swear I've listened to this album 3 times through now and still can't remember a single riff on this album. Not a one. Nada. I have this vague sense of having just listened to something cool, but nothing here stands out enough to grab hold of my psyche. The album sounds a little like the new Disgorge, fast riffs consisting mainly of alternate picking and tremolo picking, the riff seems to change every few bars to something totally new, the drumming is pretty damn complex compared to Tim's work on Hate Eternal, still very very fast. Low but not too low vocals. I so want to recommend this album, and yet I just can't, music is more than a lot of notes put together and performed by technically proficient people, it's about feeling, it's about memorable themes, it's about the songs, and that unfortunately is the one and only thing lacking on this album. Ok, I'll recommend the album for the sheer brutality, but the band will need soul to get high marks in my book.
• Diminishing Between Worlds (2008) Be careful what you wish for, because you just might get it. I gave the band's last album shit for being a little too generic. Despite that critique, I must admit in the years since, the album has made it into my daily rotation a number of times, maybe because I was drawn to the pure brutality of the album, or maybe because I had this feeling that I was missing some small nuggets of brilliance mixed in with the unending pounding. So here comes their follow-up, and it's almost like the band read my last review. In an attempt to add more variety, this album is the same general style, but every song is filled (and I do mean filled) with solos, sort of a cross between Death's harmonized solos and bach-n-roll neoclassical riffs. It's basically a whole new band I'm reviewing here. I still feel like the results are somewhat mixed though. The solos add variety, and are performed with astounding skill and speed, but they lack the catchiness of the Death material. And at the end of the album, again, nothing specific stands out. Otherwise, tons of doublebass, blasting, lowish growling and super complex single-note picking. The album feels faster than their last, which is silly considering how fast their last album was, but it's a noticeable difference. The mix is a little more treble oriented this time compared to their last album, but not in a bad way. Considering how their last album ended up growing on me, I'm gonna guess this one may grow on me as well over the years. I'll give it a "worth checking out" stamp, their myspace page has a LOT of song samples, so I recommend visiting the site and deciding for yourself if it's gonna be your cup of tea. If you're a huge fan of over-the-top technical guitar solos, this will probably satisfy, I guess I'd just like the songs to be a little less jumbled and a little more memorable.
• Polarity (2010) Now that the shock has worn off of the band changing directions 180 degrees, I can report that they have not gone in some sort of third direction, this album very much resides in the same style as "Diminished". There are a few enhancement here and there. There are more acoustic neo-classical intros. A few of the songs are longer and more epic. And while the speed is still there, it's become a little smoother, not quite as brutal as their last, and certainly not as brutal as the first. In some ways, it reminds me a bit of Anata's last album "The Conductors Departure", as well as the usual Death influences and bach'n'roll solos. It's still not as catchy as Death, since they tend not to repeat riffs very much, but overall, I do feel like this album is a bit more musical than the last, the song writing has gone up a notch. The new Decrepit Birth is never going to be my favorite band, but for what it is, it's really well done, and is well worth checking out.
• Axis Mundi (2017) So the band Gorguts released two albums that were reasonably straight forward death metal, followed by an album that was tremendously progressive, and their 4th album was the link that joined both styles together. Decrepit Birth have now done the same thing, their first album was straight ahead death metal, and albums 2 and 3 were very progressive. And this, their fourth album, is the link between the two styles. So while there's still progressive elements and neo-classical guitar noodling, there's also way more lower chromatic riffing and overall brutality. The result is I think their best album, and I hope they continue in this vein on future releases, it's a really great blend. The album has 9 songs, and then 3 covers at the end, 'Orion' by Metallica, 'Desperate Cry' by Sepultura, and 'Infecting the Crypts' by Suffocation. The covers are al well done, but are pretty true to the originals, so don't add too much new to the mix. This and the new Dying Fetus are the must buys for the week.
  

• Gradually Melted (1995, Demo) A very good quality demo, very clear, crisp sound with ample bottom and top end. Standard death metal with lots of blast beats and growling. The songs change riffs and tempos so frequently you have to wonder about the attention span on these guys. Not very original, but well done.
• Trading Pieces (1996) Nothing innovative, just straight ahead low grinding music, in a similar vein to Internal Bleeding. Very low, incomprehensible vocals, decent production and tons of bass add to this thick album. Worth checking out.
• Inbreeding The Anthropophagi (1998) This album grabs your throat and just won't let go. Similar to the last album, but better production. Lots of bass, grinding riffs, squawks, low vocals, high pitched screams and blast beats. Pretty decent song writing help keep it from sounding like a mess, although at times the riffs seem to blend together. It's the intensity of the performance that really shines though, I haven't heard such brutality since Infernal Torment's first album.
• Path Of The Weakening (1999) Similar in style and execution to their last CD (with ever so slightly thinner production). I think they tried writing songs that were a little simpler and catchier, but there are still plenty of areas where the band switches from riff to riff and time signature to time signature with no sense of modesty. Good performance, still a little muddled as far as the song structure goes, however I guess I just have to attribute that to their "style". Above average death metal, people looking for vast originality, look elsewhere.
• Mark of the Legion (2001) I have to admit enjoying this CD more than previous releases, even though stylistically it's the same stuff. The production is very thick, without a lot of highend, but overall I like it (think Napalm Death's "Fear, Emptiness, Despair"). The songs are as usual a different riff and beat every single bar, but the over-complicated nature of the music works pretty well here, it's so over the top it becomes sorta fun. And while the riffs don't follow any sort of repeatable pattern, there's a lot of decent material in here, as well as strong drumming from Mike Hamilton who just keeps the pace going the full album, not to mention smooth transitions every few bars from blasts to fills to double kicks. I don't know, if you haven't been into their previous albums, you might want to give this one a try.
• Reduced To Ashes (2003) Building on the momentum generated by their last album, "Ashes" stays pretty true to the formula and delivers another 45 minutes of  good quality material. Like "Legion", the songs do switch a bunch, but more coherent song structures help keep the songs songs, and not just collections of random riffs, which was my main gripe with their first 3 albums. I think my only beef with this album compared to the last one is the sound lost a little low end and gained a little high end, which means the production isn't quite as thick. But otherwise, this is a great album, not quite as good as "Legion", but still plenty of great stuff to listen to.
• Crown Of Souls (2005) No surprises here, I mean, we don't buy a Deeds Of Flesh cd because we expect something revolutionary, right? We buy it because we want the dependability the band offers, something fast, structurally complex, low, chunky and brutal. And in that respect, this cd delivers. First, the production is far better than their last album, the bass has returned (I felt "Reduce To Ashes" was too nasally). Second, the songs are great, much closer to the material off of "Mark of the Legion", which is certainly their best album, and which over the years has become my favorite cd of the pseudo-genre that the Unique Leader bands have formed. So if "Legion" is a 10, and "Ashes" was a 7, this would be about a 9 or so, not quite their best work, but far superior to their previous offering, which itself wasn't bad at all. They won't win over any new fans among the people who already don't like their work, but the old fans should be kept plenty happy. Well worth multiple listens.
• Live In Montreal (2005, DVD) Not at all what I expected. I expected either a professional filming or a bootleg, what you actually get is something in the middle. The first thing you notice is a single camera setup right in front of the stage a bit behind the crowd, and so you immediately say "bootleg!", but then you start noticing other very non bootleg type details. First, the sound is great, the guitar and bass have a nice thunderous sound (the single guitar gives a certainly clarity to the performance that's far more difficult with two guitarists), and the drums are totally clear, every doublekick is clean without the muddled noise you usually get from bootleg quality sound. Second, the picture quality is really crisp. I mean, most bootlegs have a lot of trouble with autofocus issues and high contrast that makes it difficult to see the band beyond a few blurry shapes on stage. But this is really clear. So basically, it's a professional looking film, but with only a single camera angle for the entire show, zooming in on members of the band at appropriate times, but otherwise only one vantage point (and you basically can't see the drummer at all). Performance wise, a good mix of songs from all their albums (this was recorded on their "Reduced To Ashes" tour in 2004 so no stuff off of "Crown Of Souls"), and, may I just add, Holy fuck, these guys are just machines, I mean, the speed and tightness of the band is just insane, from the complex unison riffs played by the guitar and bass (while simultaneously doing vocals), and the drummer is just spot on every hit of the snare and kick of the bassdrum. Really impressive stuff. In closing, I really wish they'd had more than 1 camera, and this would be tons better if they had, but even with that major limitation this is a really awesome show and I highly recommend all fans of the band to pick this DVD up.
• Of What's To Come (2008) This is the first Deeds album in the last 3 albums where the band is trying something a little different. First off, much of the band's overall core personality is still here, lots of tremolo picked rhythms, odd time signatures, and the drumming is still fast and furious. But from the first riff in the first song you'll start noticing the differences. It starts with a few riffs that are more straight forward, no odd times, no odd chord progressions. Then you'll notice the solos. Solos? Haven't heard that in a Deeds Of Flesh album for awhile. A quick peak to the credits reveal a few new members to band, including a new guitarist, who is probably responsible for some of the new flavor. You can really tell the band has been hanging out with the guys from Decrepit Birth who also started adding soloing to their work. There's still plenty of familiarity here, so it's not a total reinvention. And as usual, there's enough standout riffs to fight the sameness that the band could easily slip into if they weren't careful. Also, the production on this album is probably the best they've ever done, it's really nicely mixed. It takes a few listens, but I have the feeling this album will really grow on me as I continue to listen. Check it out.
• Portal to Canaan (2013) Spectacular album, possibly my second favorite album from the band (my fav being "Mark of The Legion"). It just has everything. First off, best sound on a Deeds album ever, the mix is just perfect (even better than their last). It has all the trademark fast chromatic riffs the band is known for, but also a lot of standout riffs that gives each song it's own flavor, and a reason to keep listening again and again. The solos are a little better integrated into the songs now, and are a great element. After 8 original songs, they do a cover of Gorguts' "Orphans Of Sickness". The cover is good, but I was hoping they'd put a little of their own stamp on it, maybe some faster drums or something, but they end up playing it pretty much exactly like the original, which is a bit of a disappointment. Overall, just fantastic, this is a must buy.
• Nucleus (2020) So for those who don't know the story, founding member and songwriter Erik Lindmark died in 2018, leaving all music recorded and partially mixed for this album, but still unfinished. In a great example of metal solidarity, former members Jacoby Kingston and Mike Hamilton finished up writing the lyrics for the album, and then got a whole host of guest vocalists to record the vocals. But now the complex bit from a reviewing perspective. How do you review such an album? Do you review it simply as an album like any other? Do you review it from the context of the main man dying and so the fact it was finished at all is a bloody miracle? I guess I'll try and do both. To start with, huge kudos to all those involved in finishing the album off, your dedication to the project is amazing, and trying to make an album under such circumstances is commendable to say the least. So now how are the results? Generally good, but a little muddled in spots. The mix is excellent, and several of the songs are just as good as material from their "Portals" album (which IMO is their best album), a good example of this is 'Alyen Scourge', it has all the hallmarks, crazy tumbling riffs, but enough catchy bits to keep it distinct. But a few of the other songs feel a little off, either they're missing a hook to get the listener involved, or they just don't quite have the Deeds Of Flesh trademark sound. Like the beginning to 'Catacombs Of The Monolith' is a bit of a departure for the band. Or 'Terror' sounds like Deeds, but I keep waiting for some sort of riff to grab ahold of that feels unique, and it never quite comes. I was expecting for all the vocalists to make the album a little too chaotic, but actually it works fine, hearing all the different voices in different songs doesn't detract at all from the coherency of the release. And new drummer Darren Cecsa does a great job channeling Mike Hamilton while still injecting some of his own feel to things. I think the album suffers a bit from just how absolutely amazing their last album was, even under the best of circumstances trying to top it would be damn near impossible. And plus, Deeds have always been an evolving band, I mean, they didn't even have guitar solos until "Of What's To Come", so expecting an identical album to "Portals" is just not gonna happen. So I guess my final words is this is a solid Deeds Of Flesh album, the fact we have it at all is spectacular, but for myself their albums "Portals Of Canaan" and "Mark of the Legion" will always be the high watermark for the band. RIP Erik, you will have an everlasting impact on the scene, and thanks to all involved in making this final album happen!

• Yours in Murder (1999, Demo) Although the word Suffocation comes up in the media accompaniment, I think the closest parallel should be drawn to Iniquity or early Cannibal Corpse. As in, high quality technical death metal with lots of blasting and double kicks, but with some good catchy hooks to avoid monotony. Since this is only a demo, the production isn't quite there yet (a little treble high and not much finesse), but the band certainly is tight. Vocals are mid pitched barking, songs tend to be all well thought out and well constructed with some seriously sweet riffs.
• All Will See Rebirth (1999, Demo) Similar to their previous demo, but this one's production has too much bass and not enough treble (exactly the opposite of their last demo), making the sound a little better but without any high end definition. Regardless, the same good quality riffs, and I can't wait for the full length debut album where we'll get to see most of these songs re-recorded.
• Prophetic Luster (2000) A cross between CC, Iniquity or Origin with a slight touch of Suffocation, this is standard death metal done really well. Production could be a little less muffled, but it still captures the anger. Great solid song writing provides the right mix of groove and blasting. Mid Range vocals. The drummer is very fast and precise, not quite as fancy as Flo from Cryptopsy, but he keeps things interesting all the way through as well as not missing a beat. I'm definitely liking these songs, while you can see the influences on the band from other bands, this is not just anther me-to band, they have some real style here. This album will stay in my daily rotation for awhile.

• Santeria (1993, Demo)
• Defaced Creation (1995, Demo)
• Resurrection (1996, 7" EP)
• Serenity In Chaos (1999) Rather standard death metal vaguely in the style of Infestdead, Obscenity or "Butchered at Birth" era Cannibal Corpse. So it's a little more melodic, not in the acoustic guitar sense, but the medium/fast, somewhat thrashy, repeat the riff 4 times before moving on sense. Some nice riffs and good squawks, while there's nothing here that is totally stand out, the songs are good and I can definitely recommend a listen. The band broke up apparently, but most of the group moved on to a band called Aeon.

• Defeat of Sanity (1994, Demo)
  
• Erupted Wrath (1999)
  
• Ugliness Revealed (2001)
  
• Divination (2003) Death metal from Japan, but this ain't no Vomit Remnants. Defiled falls far more squarely into the Severe Torture category, with some more experimental flourishes ala Cryptopsy. Another good connection would be later Polluted Inheritance, say their "Betrayed" album but more straight forward songs. Vocals are midrange growls, complex drums and tremolo picking abound. One big note is the production on this cd could definitely use some work. Everything is clear, but the guitars are very thin and nasally sounding. I guess it really comes down to the lack of body, I'd love this to have a big sound whether you get that from a bigger bass or more guitar overdubs, it just feels like a scrawny guy rather than a giant body builder. The songs are good (I especially like 'Enraptured', it has a really good hook in it), but I do find a few of the transitions between the blasting parts and the odd experimental parts a bit too jarring. Anyways, decent album, worth taking a peak at.

• Dripping With Blood (2006)
  
• The Bone Collection (2007)
  
• Necrotic Nightmares (2008) Strongly schooled in the early 90s era of Death Metal, the band brings to mind many of the greats such as Cannibal Corpse, Vader and Suffocation. So for the most part, mid to fast paced death metal with a strong emphasis on the riffs, as opposed to super speed or anything. This is one of those "it's all about the cake" bands, while others stress icing, these guys don't have a lot of frills, but the music is solid and the riffs are memorable. Vocals are low gargled, a little higher than what you'd expect from, say, Disgorge, a little more vocal variety may have been nice. Production is clear and well mixed, but could still be a little louder and more in your face. Overall, if you're one of those 90s guys who remember seeing Cannibal Corpse on their "The Bleeding" tour, you'll love this stuff.
• Abused With Gods Blessing (2010) Very similar to their last album. Basically, if you've heard Cannibal Corpse's "Vile" CD and liked it, you'll like this too. Good quality riffs overall, my favorite song is 'The Real Massacre Of Knife', which has several slow and sludgy, heavily palm-muted and distorted riffs that are heavy as fuck. Nothing new, but really high quality, highly recommended material.
• Created To Kill (2015) As if the early Cannibal Corpse connection wasn't strong enough already, the band's album "Vile" was originally called "Created To Kill" before they swapped vocalists. So I guess Defloration decided to pick the title up and run with it. Again, high quality 90s death metal, great and memorable riffs, possibly some of the best the band has offered yet. The sound on this album goes up a notch as well with a thicker sound, the mix is pretty much just perfect. If you pine for the old days, this is the album for you, highly enjoyable and recommended.
  

• Adrenaline (1995) Sounds like Tool but with a much thicker guitar tone. This alternative / metal crossbreed is notable for excellent and inventive riffs, some really angry vocals, and good overall production. Nothing too fast, just lots of pounding, good quality music. Excellent moshing material.
• Around The Fur (1997) Discarding their similarities to Tool, they've taken all their unique elements and exploited them to create some really great music. The songs are very raw, almost more alternative than metal, but the aggression is unquestionable. The singer screams with like he's been tortured his entire life. The production is big, tight and bass heavy (the producer is Terry Date of Pantera fame). The songs tend to be slow and plodding. A good CD to listen to when you just feel like smashing something.
• Deftones Live (1998, Live) 7 tracks, one song off of "Fur", 6 live songs. The performance of the live stuff is good, but the production is horrible. It sounds like they used two mikes, one has the vocals and the snare drum, and that one has a volume of 10, and the rest of the band is on the second mike, and it has a volume of maybe 3. The sound is clear, but the band is very difficult to hear because they have no volume. This CD is also available as a set of two min-CDs, each containing 4 tracks (each CD leading off with 'My Own Summer'.)
• White Pony (2000) It's been almost three years now, and all kinds of rumor flew around this release. Although never quite metal and never quite alternative, questions sprung about the direction the band would be heading with this new album. The answers firmly in hand, I'd have to say the Deftones have not wimped out, they've just headed in a slightly different direction. All the standard Deftones stuff is here, but the songs are a little more laid back, still intense, but more sad, like someone lamenting over the death of a close friend. Not many fast songs on this album, and not as many moments of furious screaming, but unlike, say, Korn's most recent album, the emotions on this album come across as genuine, an individual who's given up all hope. That said, the usual catchiness that the Deftones have shown in previous albums is definitely still here, each song standing out as an individual piece of work with memorable riffs and a distinct mood. Same excellent production as usual. I think all fans will enjoy this release.
• Back To School (mini maggit) (2000) One studio track (a shorter and more focused version of back to school) and 2 live tracks. The studio track is decent, a lot less meandering then the version found on White Pony. The 2 live tracks prove that the Deftones still can't record a decent live show. I hope that when the band finally decides to record a full live show and release it they get a professional to record it, who can, oh, I don't know, maybe put a mike somewhere near the bass and guitar for a change? not to mention let the drums sound less like a loud tin can. If it makes you feel any better, one of the live songs seems to be a new song not available on any album. Get their new album, I'd give this EP a miss unless it's low priced because you'll really only be buying it for one song.
• Deftones (2003) While the album contains several mournful, melancholy tunes similar in style to the material on "White Pony", this album seems to have a little more high energy to it, although not quite to the level that was exemplified on "Around the Fur". 11 songs that are again both memorable as separate entities and work together to form a consistent mood throughout the album. Plenty of soulful lyrics dealing with loss, despair, confused anger, all wrapped up in the usual Deftones poetic meter. The riffs range from the blindingly heavy to the very abstract and peculiar sounding. As usual, excellent thickly layered production. 4 albums, not a single failure yet.
• B-Sides & Rarities (2005, RareCD/DVD) Rarities album from the band, one CD and one DVD in a really nice book style package. CD wise some interesting material. A few covers, a few acoustic renditions of Deftones songs, and a bunch of random jams that were recorded during the album sessions. First off, a lot of the songs are soft songs, be warned, no huge guitars and super aggressive riffs, it's mostly the calmer type stuff, even calmer than White Pony in a number of sections. Second, a lot of the songs are pretty simple in structure, just a repeating riff again and again with all the variety coming from the vocals. But it can lead to some cool vibes, like "No Ordinary Love" which has a nice soft groove thanks to some solid bass work and drums. It takes until track 8 before you get some good thick distorted guitars, and then stays pretty acoustic for the rest of the album. The DVD contains about a dozen of the band's music videos, mixed with some brief interviews / live footage. Readers of this webzine know I just don't like music videos, but I'll admit that the art direction in many of these videos is quite nice, so they're at least entertaining. Fans of the band will probably find some good stuff here, but only if you're ok with lighter material. If you want the heavier side of the band, look elsewhere.
• Saturday Night Wrist (2006) After a more straight forward self titled album, "Saturday Night Wrist" returns to the "White Pony" territory of experimentation and sonic complexity. That's not to say there's no anger here, song number two for example, 'Rapture', has some really harsh vocal bits, same with 'Rats!Rats!Rats!' (which is probably one of my favorite songs on the album). But much of the rest falls into the 'Hole In The Earth' category, a big wall of sound that gently wafts along while mournful vocal melodies remind us of the futility of life. One of things I really dig on this album is the unexpectedness of the riffs. They are catchy enough to be memorable, and they definitely sound like Deftones, but at the same time sound like nothing you've heard before. My hats off to these guys for deviating from the stock chord progressions. Lots of electronics and techno influences as well as the distorted guitars / metal aspect. It's been a bit of a wait, and a rough road to get to this album, but it was well worth it.
• Diamond Eyes (2010) After a car accident that left the band's bass player Chi in a coma, the big question beyond his recovery was what will the band do with the unfinished album they had half recorded? The band decided to put that album aside for now, with the hope of finishing it when Chi has fully recovered. In the meantime, they wrote and recorded a brand new album. You might think that the album would br rushed, as the band tries to get some new material out there, but instead the result is one really kickass album that really encompasses everything the band was and is. If I had to pick one comparison album, I might compare this to "White Pony", but with some heavier songs on it not unlike "Saturday Night Wrist" or "Around The Fur". One thing I love about the band is how fresh their riffs always sound, the vibe is familiar, but they also do some sort of odd chord progression to keep it new and invigorating. My favorite tracks are 'Diamond Eyes', 'CMND/CTRL' and 'Rocket Skates', all have super low and heavy guitars, and great hooks. The only song I don't dig is 'Prince', because it sounds too similar to the song 'Rx Queen'. The similarity is probably intentional, but regardless, it doesn't bring anything really new to the table. The sound is of course fantastic, super thick and heavy. Fantastic album, and hopefully Chi will get better soon!
• Koi No Yokan (2012) Not as big of fan of this one compared to their last few. The album overall doesn't have as many angry/fast songs, and the riffs seem a little too simple and repetitive. Diamond Eyes had a lot of unique and fresh sounding riffs, where this one sounds a little too much like songs we've heard before. It's not bad, the band is still plenty heavy and it contains many of the same textures and elements that have made past albums great. But for whatever reason this one just feels a little lackluster for me. I do dig the album closer 'What Happened To You?', I like the palm mutted guitar riff at the beginning and it has a nice vibe overall. But the opener for example is really just 1 riff played again and again for pretty much the whole song. The band's done better, I'd take a listen before purchase.
• Gore (2016) Shortly before the album was released, controversy struck when guitarist Stephen Carpenter publicly commented that he wasn't really into the direction of the album. So I was expecting something really different, and was surprised to hear that not that much has changed. The guitar tone is a bit more drony, and there are a few more odd clean guitar bits than normal, but the album is still heavy, and has plenty off surprising riffs, it's great that 8 albums in the band still finds interesting new riffs. Love the song 'Doomed User', a really thick bulging guitar tone. Not every song is awesome, there's some material in the middle that's a little ho-hum, but the album begins strong and ends strong. Another favorite is the title track that has a nice sense of anticipation between the lighter and heavier bits and some nice screams from Chino. Anyways, don't expect a complete departure of the band from their style, it's got a bit of a different vibe, but the Deftones were always a group to shift their sound on each album every so slightly, and there's still plenty of heavy material here to keep me happy.
  
• Ohms (2020) Generally a bit angrier and heavier than their last few, but still with the style variety we've come to expect. Maybe guitarist Stephen Carpenter got his way after their last album and he got to inject a little more metal this time around. The result is great, some great memorable songs here and atonal riffs, like the main verse riff in 'Radiant City', or the main riff in the title track. The band experiments with various sounds and tones, but holds it all together with giant distorted guitars and Chino's usual raspy vocal performance. It has an energy to it that reminds me a bit more of "Around The Fur", so if you love old school Deftones, I feel this captures a little more of that style.
  

• Praised By Generations (1999, Demo)
• Hostile Blood (2003, EP)
  
• Emanation from Below (2006) Technical death metal, this album reminds me a lot in style to Cryptopsy's "None So Vile" album, with just a splash of other bands like Behemoth, Spawn Of Possession and Disgorge. Plenty of fast riffs, some slower bits to mosh to, lots of guitar squawks. Vocals are midrange growls. The riffs are decent, more catchy than say Disgorge's stuff, but not instantly memorable like say a Dying Fetus album. Some really nice cover artwork, it's worth grabbing the CD and not just getting the mp3s. Overall this band is nothing revolutionary, but it is a really enjoyable album worth getting.
  
• Gospel Of Maggots (2010) Pretty similar to their first album, but a few tweaks. First, the album is a little bit faster and more chaotic, think of Deranged and you get the general idea. Second, a lot more divebomb style solos in this one. Next, the squawk is far more fundamental to this album than it was last time, almost every main riff has a squawk in it somewhere. And finally, the drummer really brings an odd instrument front and center to this release, the cowbell. You don't tend to hear a lot of cowbell in death metal music, certainly not cowbell blast beats, but that's what we have. I give the band points for doing something a little different, but I can't help but visualize Will Ferrell in a shirt that's 3 sizes too small hitting that thing, and Christopher Walken producing the album saying "I've got a fever, and the only antidote is more cowbell." For a death metal band, those may not be the sorts of images you want to project. From a song perspective, I found the songs on this album too be a little too same-as, there's a lot of riffs that seem to repeat again and again all during the album. Again, really excellent cover artwork.  So all in all, this is a decent album, but I think I preferred their debut more.
• Demiurage Of The Void (2011) Very similar to their last album. So similar in fact, I don't really have that much more to say. Decent death metal, enough good riffs to help elevate it above the soso material out there. Fun and brutal, if you dug their last, this one is more in the same vein.
• Theodicy (2015) A bit of a departure for the band., mostly the album is only 6 songs but the songs are really long. Does that mean they went all Dream Theater on us? Not really, they still have all the usual elements like the fast picking, the blasting and the cowbell. But while the song lengths increased, the number of riffs per song have decreased. Its like this time the band decided to simplify a bit, make fewer riffs, make better riffs, and then repeat them more. On one hand I like it because the riffs are great, more memorable than some of their previous CDs. But on the other hand, the songs could probably be 1-2 minutes shorter each and it would be even better and tighter. Longer songs usually work well when you have a lot of variation, when you don't have tons of variation, short and sweet tends to be better in my experience. But I give them tons of credit for exploring something a little different, overall I think its pretty effective.
• Endemic Divine (2017) The band returns to their previous format of shorter songs, and more of them. Overall though, I find the album a bit flat. It's not that there's anything wrong with the album, it hits all the usual sweet spots, but there's also just nothing super standout. The riffs wash you over but don't have much in the way of staying power. The only exception is the title track, which has a memorable and groovy main riff (and all the variations of the riff that happen during the 8 minutes). So the title track is good, but the rest is sort of ho-hum. This is a try it before you buy release.
• Casus Belli (2019) A step forward for the band. Their last couple of albums were decent, but I feel the song quality on this one is a step above the last few. The songs are of the shorter variety, 8 in total, and with the enhanced riffs, it's a lot more catchy and overall focused. But I know, what you really want to know is about the cowbell. The band actually shows tremendous cowbell restraint for the first 3/4s of the album. But that all changes with track 7, which starts with a cowbell solo basically, fast 16th notes of the cowbell which then becomes an integral part of the structure of the song. Brilliant! They have literally achieved "More Cowbell"! If you dig the band there's plenty to like here, and if you haven't followed them recently, this album is a good spot to come back into the fold.
• Apophenia (2024) Another winner from the band. Lots of good solid riffs and an excellent performance. And even a step up wise in the mix, I didn't really notice that the last album was slightly muffled, but after listening to this album, there was more treble to be found while still having an excellent foundation in the bass. This might be their best sound ever. My only complaint might be that while they're constantly hitting 8s with these songs, at least one 9 or 10 would have been nice. The closest that the album comes to a favorite song is 'Revelations', that has a bit of a groovier Aeon vibe. But the first 3 songs for example all start with the same drum groove and at approx the same speed. So pushing the variety a bit more would be good. Very solid album, I will take it!
  

• Slumber Of Sullen Eyes (1992) While a muddy sound does detract from the greatness of the band, they still provide some nice riffs, as well as a powerful sound. Low vocals, good songs, wall of sound, pounding doubles.
• Shadow Mechanics (2002) After a 10 year hiatus, this cult favorite returns with a new album. The general vibe is similar to "Slumber", the songs are midpaced, the tremolo guitarwork creates the same sort of atmosphere, and many of the chord progressions are reminiscent of their past work. Songs like 'Gates Of Lamentation' bring me right back to the early 90s, and reminds me why I enjoyed this band so much. There are some big changes though, for good and bad. First, the production is a lot clearer (good). Second, the vocals aren't nearly as low, they're more midrange, and there's some sung stuff (bad). Apparently 3 different vocalists were used for the recording of the album, which may be why the vocals lack real direction, they're all competent, but I miss the low growl of their first album. And third, the songs are a little bit all over the place. Some sound very much like the band's older material (Most of my favorite songs on this album were written by Esa Linden, the original vocalist and guitarist for the band, who did not perform on the album). Some songs sound really different. I guess this CD lacks consistency, like it was written by several people who weren't speaking to each other. I still prefer their original album, but this is a decent CD and may grow on me as I listen to it more. Worth checking out.
• Let Chaos Prevail (2007) Anther slight style shift for the band (and another lineup change). After a number of songs, it suddenly dawned on me, this CD sounds exactly like Obliveon's "Nemesis" album. Lots of spacy guitar solos, lots of midpaced tremolo picking with midpaced doublebass underneath. Listening back to "Shadow Mechanics", I actually now see the influence there as well, but it wasn't quite strong enough yet to be noticeable. This album pushed it right in your face, I mean, just take one listen to the intro to 'God Said Suffer' and you'll immediately know what I mean. Anyways, despite the obvious influence, there are a number of good riffs on the album and decent songs. I don't know if I can really call it Demigod anymore, but as a separate band, it's a pretty cool album. If you like Obliveon, pick this up. If you like Demigod, then you may be out of luck.
  

• Reign Of The Depraved (2016, EP)
  
• Evil Upheaval (2018) With touches of Cannibal Corpse, Hate Eternal and a slower Vital Remains, Australia's Depravity writes a mean riff that sticks in your head. Stylewise, a good mix of moshable bits and fast bits, well written guitar solos, mid ranged growls with a George Corpsegrinder flare, the usual blasts and double bass, and the subtle addition of keyboards in a few spots to go for that epic feel. While the band hasn't cut out a unique style for itself yet, this debut is really impressive, and I can't wait to see where they choose to go from here.
• Grand Malevolence (2020) A continuation where their last album left off, I mean this almost literally, the production quality is identical to their debut, and so this sounds like it was recorded at the same time. The usual influences are here, with perhaps a touch of Brutus added to the mix, the thing that really stands out are the riffs. The songs were good last time, but this album kicks it up a notch with even more memorable hooks that are catchy and brutal. The album remains pretty intense all the way through, but still a few slower parts so it's not all the same pace. I know this band isn't very well known, but their music is far ahead of their notoriety in the scene. So be the first person on your block to get this album, and bring all your friends along for the ride. It's well worth it.
  

• Deriding His Creation (2013, EP) Pretty standard death metal in the same vein as Disgorge or a slower Deeds Of Flesh. Low gargled gutteral vocals, lots of chromatic chugged riffs. While nothing inventive, its well done, and certainly has some nice riffs here and there that are excellent to mosh to. Decent production rounds out this 4 song EP, I say give em a listen, I certainly found it enjoyable.
  

• Cannibalistic Decimation (2021) Following in the footsteps of Russian country mates Abominable Putridity, this brutal death metal band takes the style that Devourment perfected and pushes it further along the path. Lots of blazing speed punctuated with deadly slow and chromatic slam parts. Higher detuned, great mix, and ultra low gargled vocals. The songs, as is common in the genre, tend to all blend together, but the sheer brutality of this album make it easy to keep on repeat. Highly recommended.
• Annihilation Of Increasing Pain (2023) Very similar to their last album. Overall very enjoyable, with only one real issue. I find the mix is slightly odd. It still has huge bass and super distorted, but there's this slightly far away quality to it that is hard to pin down. While I'm not a professional recording engineer, there's something a little odd going on in the frequencies, maybe there's some clipping going on where the sound gets cut off after hitting certain values? As a reviewer, I hate to be this vague, but ya, that's all I can say, their last album had a similar vibe but felt clearer. Otherwise, the same band, lots of chromatic riffs, blasts and slow moshable bits. If you liked "Cannibalistic", I suspect you'll love this too.
• Infected By Sexuality (2024) Again, very similar to their previous album. The only major difference is the mix, which is a bit...odd. Lets start with drums. They are a drum machine, which is fine. But the snare sample has a strange ring to it, almost like the sample is a combination of a snare AND a ride cymbal. Of course, maybe that's the idea. But if so, then why is there crash cymbals being hit throughout? Or is that a crash? It might also be distorted guitar creating that white noise. I'm not entirely sure. I know drum machines allow people to produce drums that are impossible in real life, but usually they follow some rules. This recording it seems we've given up on plausible drums and instead are using 5 simulated limbs hitting every drum at the same time for the blast beats. Then back to the guitars, whether it's crash cymbals or just extra distortion, there's virtually no tone to the guitars at all. Now I totally understand that melody isn't exactly vital to brutal death metal, but having at least some pitch helps differentiate things. In short, I can certainly vouch for the brutality of these songs, but due to some odd choices in the mix or drum machine programming, I ended up spending too much time trying to analyze what I was hearing and not enough time enjoying the music. If you've got their other 2 albums, I suspect you'll enjoy this one as well, it certainly is vicious. But if you're new to the band, I'd recommend their earlier albums, I feel their mix is more balanced.
  

• The Confessions of a Necrophile (1992, Demo)
• ...The Confessions Continues (1993, 7" single)
• Architects Of Perversions (1993, EP)
• Upon The Medical Slab (1994, 7" single)
• Sculpture Of The Dead (1994, EP)
• Rated X (1995)
• High On Blood (1997) Incredibly intense death metal. The sound reminds me of Cryptopsy's "Whisper Supremacy" album, this band strikes the listener with a huge wall of sound. Pitch is meaningless most of the time, all that matters is bludgeoning the listener with merciless noise, blasting and anger. The riffs seems almost secondary to this release, in fact, and for some reason there's a reoccurring riff that happens all through the album in almost every song, which gives the CD a sort of "single song" theme. And considering that lack of dynamic changes, the album could very well be replaced by one long 45 minute song. Unfortunately, that lack of dynamic also means the album can become background noise if you're not careful. Not sure how to rate this release, if you want something so intense it's almost absurd, buy it. If you want good song writing and carefully placed riffs, look somewhere else. At the end of the day, I still enjoy it.
• III (1999) As the title says, the third album from the band. Same vein as the last one, but with better production (still noisy with several guitars layered on top of each other, but the bass has been given a boost and it feels more in your face). They spend a little more time writing good riffs too, although the focus still isn't riff based as much as "I am going to play as fast as I can until my head explodes and that's all that counts" feel. Lots of blast beats, double kicks, not a moment of peace, rest or reflection, just loud and noisy blasting for about 50 minutes. If you liked the last album, this one's got the same feel but slightly improved. The Japanese version of the album has 4 bonus tracks which sound like the other stuff on the album.
• Deranged (2001) Again, similar to their last two albums, although I find the riffs a little more memorable on this album than in previous efforts. Still lots of speed, low vocals, and while the production isn't perfect, I really can't complain about it, all the instruments are clear and there's plenty of bass and highend. Nothing but consistency from this band, any fan of straight ahead nothing-fancy death metal should check this out, good solid brutality.
• Rated X (2002, Reissue) This cd contains their hard to find "Rated X" album, and two demos "Sculpture of the Dead" and "Architects Of Perversion". It's classic deranged, angry guitars, blast beats, mid-range growling, plenty of memorable songs and riffs, lots of brutalizing energy. The production on all 3 albums are decent, clear with a good mix, although nothing spectacular. These old-demo albums are usually only worth it if you're a big fan of the band, but this one has enough interesting stuff to please even first time listeners I'd wager, even if no new ground is broken.
• Plainfield Cemetery (2003) Not much to say here, this is almost 100% identical to their previous album, the sound, production, riff style (thankfully, the riffs are indeed different), everything, in fact, if you put them both in your cd player and choose shuffle, you'll have a lot of trouble saying which songs are from which album. But that's not necessarily a bad thing, as we all know, Deranged is all about consistency, not pushing forward into uncharted territory, so if you enjoyed their last, you'll enjoy this as well. Good, simple, straight forward death.
• Obscenities in B Flat (2006) A kinder, gentler Deranged? Certainly not. But a slower one to be sure. That's the first big thing that struck me, the songs on this cd are way slower than songs on their previous cds. I mean, there's still some blasting now and again, but even those parts seem less frantic somehow, which is quite out of character for the band. What they lost in speed though they made up in good riffs. There's plenty of odd phrasing and strange chord progressions to make the songs plenty memorable (which the band has always had a bit of a problem with in the past). Otherwise, the sound is basically identical to their last album, maybe a little more muffled. If you liked the band's last few cds and are ok with a bit of a pace change, this is definitely worth checking out. Impressive songs.
• The Redlight Murder Case (2008) Another high quality Deranged album. Plenty of good songs, chunky riffs, blasting, decent production, and this time it's a concept album, with every song revolving around the circumstances of a grizzly murder. My only complaint is, oh I don't know, am I wrong to expect innovation with Deranged? Maybe it's just the mood I'm in today, but I wish there was something to differentiate this album from all the others. Something innovative. Mind you, I'm not sure what you could do to be innovative without it not being Deranged anymore, so maybe my desire for innovation is just best forgotten. Anyways, it's another great album, if you're a fan, you should be plenty happy.
• Cut, Carve, Rip, Serve (2011) No real surprises here, it's the same Deranged that we know and love, same riffing style, same blasting. This album may be a touch slower than previous albums, but the riffs are still decent, and overall it's enjoyable within the limits of the style. If you love this band, I'm sure you'll love this.
• Struck By A Murderous Siege (2016) Again, same general style, but this time there's a bit more slower material. Specifically, there's 3 songs that have a very strong Morbid Angel 'Where The Slime Lives' feel to them ('Hello from the Gutters', 'Shivers Down Your Broken Spine' and 'Toy Box Torture Chamber'), slow sludgy guitars with squawks and fast double bass underneath. Being that 'Slime' is one of my favorite death metal songs, that makes this release by Deranged go up a few notches in my book. Otherwise, it's the same stuff we know and love. No surprises, but no disappointment, just good quality songs in the Deranged way.
• Deeds Of Ruthless Violence (2020) Pretty similar to their last album. Again, a few 'Where the Slime Lives' type songs, most notably 'Carnal Provision for the Rotten Masses', which, what can I say, is groovy and unnerving as hell. Some of the midpaced songs though are a little repetitive and lack variety. So a bit of a mixed bag, their last album I felt was more consistent, but there's a few great tracks here too. Decent album, but I suspect I'll likely only listen to half the songs consistently.
  

• Descend | All That Is Evil Split CD (2000, Split CD) A very peculiar type of band, combining a lot of styles into something actually pretty cool. Each song really is it's own entity, the first track mixes in a lot of strange super-processed guitar sounds and whisper/echo vocals, track 2 is more straight ahead death metal, track 3 is an instrumental which starts off with lots of high end tremolo picking giving it a very european technical melodic death metal feel, and then starts getting into these rockin parts that remind me of new Entombed or old Pungent Stench. Track 4 closes with a whole ton of blast beats and again more straight ahead death metal stuff. A few things do tie all the different styles together, twin vocals that mix carcass style high end with a really low, gargly second vocalist. Guitars are thick but not wall-o-sound thick. The drummer does a lot of stuff, he holds together such radical style changes with really solid keep-the-tempo drumming, some fancy kick work and then some very interesting and inventive fills to move seamlessly between styles and riffs. A little loose and live feeling, the production is good but not 100% polished. Overall, I think the band needs a little more time to bring some focus to their music, but if they can achieve that focus without loosing the crazy amount of variety they already have stylistically (and without loosing the sense of humor which seems present in their music), they'll have something truly unique in the metal arena. Contact the band at souldger@en.com, and write to their label Cutting Edge Records at POBox 770376 Cleveland, OH 44107 USA.
• Requiem of Flame (2001) A little more straight forward than their previous demo, this album retains that Pungent Stench / new Entombed vibe with a few blasts and such to remind you of its strong death metal roots (ie, this stuff is a lot better than the new Entombed stuff which I really didn't like very much). The songs are all quite good with plenty of memorable riffs, although the whole album starts with this repeated riff that goes on and on for a couple of minutes and could best have been left out in my opinion. Nice thick guitars, the production is big and bassy, they might have looked into adding a bit more treble to round things out. I also miss some of the weirder sounds that made up the interlude on their split EP. Overall, a good strong album, just a few details I think the band needs to iron out.

• Consumed By Your Poison (2002) A pretty common occurrence: You're introduced to a band with its second album, it's first on a major label, and you decide to buy their first album that was originally released on a smaller label. Upon hearing the album, you wish you'd kept your money, because it just wasn't as good. Well, this is not that type of album. While I would agree that "The Healing Process" is a better album in terms of tighter song writing and more memorable riffs, this album comes a very close second with excellent production, lots of great songs and all the goodness and oddities you've come to expect from the band. So while slightly less polished (and I do mean slightly), "Consumed By Your Poison" should by a must buy for those who enjoyed their second album.
• The Healing Process (2005) Combining many of the best elements of Meshuggah, Dillenger Escape Plan, death metal, hardcore and grindcore, Despised Icon manages to come up with something that's both familiar and fresh at the same time. First off, fantastic riffing here, some seriously memorable chunky riffs with a few odd time signatures and tons of power. They cover the spectrum of super speed, super slow, and everything in between. Vocalwise, the band has two vocalists, and switches between hardcore screams and Dying Fetus style low gurgles, the variety in vocal sound is a big plus. The drummer is also fantastic, he handles complex rhythms with the same ease he blasts or does super fast doublebass. Productionwise, it's pretty much flawless, an awesome mix with tons of bottom end, some nice crunchy highs, and the whole band is really tight. I haven't heard a group this instantly mesmerizing since I picked up the 2nd Psycroptic album (which would be another band Despised Icon seems to share some elements with). I suppose if I had to pick one big influence it would probably be Dillenger Escape Plan, however that band I've always felt was a 10 on the "out there" scale, whereas this band has many of the same elements but within the style of a more traditional death metal band, which I personally find more palatable. If you haven't checked the group out yet, you're doing yourself a great disservice.
• The Ills of Modern Man (2007) This album really does read like a checklist for everything I love in death metal. Short bursts of super fast double bass. Check. Palm muted guitar. Check. Guitar squawks. Check. Superfast double bass underneath slow, plodding riffs. Check. Crazy blasting. Check. Super low, gargled vocals. Check. For fans of their last album (and if you don't have it, why the hell not?), this is very similar, possibly a tiny bit better from a song perspective. The only real change is the drummer has really mastered the gravity blast beat (that technique for instantly doubling the speed of your blasting), and he uses it with incredible control and appropriate levels of restraint, which keeps it from becoming boring. Catchy riffs, amazing production, tons of speed and aggression. It's like taking a chainsaw to your head, and I mean that in a good way. The best album I've had come my way in many months. A must buy.
• Day Of Mourning (2009) Very similar to their last album, in fact, so similar, it's a little bit of a letdown. This is still an excellent album, filled with tons of crazy drumming, screams, and rapid fire guitar riffs, it's just some of the songs sound almost exactly like songs off of "Ills". Later in the album things get better, like I love the song 'Diva Of Disgust', which contains an excellent start-stop riff that incorporates a nice whammy divebomb, followed by some really intense blasting. And a few songs have actual guitar solos, which I have to admit I really like, they're well thought out, powerful, and give a little variety. But a few of the songs at the beginning have riffs that are just too damn familiar for my liking. If you dig the band, you'll probably love this as well. I just don't want the band to drive the formula into the ground, they will need some new ideas next time around to keep my interest.
• Beast (2016) After a 7 year hiatus, the band has reformed and has released a new album. It has all the elements you know and love form the band, although in general it's not as inventive as some of their previous work. When writing a new album, you obviously want to write songs that fit within your style, and include little elements or beats that hearken back to your previous material. But then you want to expand on that add some new elements. Add some riffs that are fresh and inventive. Songs like the title track work great with some unique sounding chord progressions, and dissonant riffs presented in a bit of an odd fashion. It keep you on your feet as a listener. But then songs like 'The Aftermath' don't add much in terms of riffs that we haven't heard before. The main riff has a very common chord progression, and is delivered in a way that sounds identical to the band's previous material. So "Beast" is a bit of a mixed bag, some songs are great, some are too copy cat. I'd still say its worth grabbing, maybe they'll get into a better groove on their next album. It certainly has great aggression and energy. Just a little more song writing focus next time.
• Pugatory (2019) After a short quiet acoustic intro, the high hat is hit twice, and then blazing fast double bass hits you in the face like a ton of bricks. This is what Despised Icon is all about. Their comeback album was ok, but this 2nd album after their hiatus brings the real deal. After a strong title track, 'Light Speed' is exactly that, blindingly fast and pummeling, probably my favorite track on the album. But the rest of the songs are by no means low quality, all of your favorite elements are here from the groovy bits to the inhuman fast bits, dual vocal shouts and screams, and unlike "Beast", the riffs are far more memorable this time. No phoning in here, every note is played with conviction, and you can almost see the spit flying from the vocalist's mouths as they shout their heads off. Highly recommended, one of the band's best releases in all honesty.

• Extinction (2001, EP)
• Womb Of Shit (2002, Promo)
  
• God On Acid (2003) While this band sounds an awful lot like Disgorge, the songs are a little simpler, and far more catchy. One thing that's been kinda bugging me about Disgorge lately (and their legion of clones) is that the riffs in their songs are all over the place, they play a riff once, then never again, and so instead of songs, you get a jumble of random riffs. Despondency is in the same style, but they seem willing to repeat a riff a few times, which immediately makes their music more easily digestible and memorable without losing the brutality. Production is very bassy, well mixed, although apparently this was recorded in 2 sessions and I'm pretty sure I hear a slight production shift starting at track 4, but it's not too obvious. While there's plenty of blasting, there are also a lot of slow chunky breakdowns too, super heavy stuff. Vocals are the usual super-low gargled, the album even starts in a similar way to Disgorge's "Cranial Impalment" EP. If you like Disgorge or Decrepit Birth but wish their songs weren't quite as jumbled, Despondency is the band for you, I gotta admit despite it's lack of originality, I did really enjoy this cd.
• Revelation IV (Rise of The Nemesis) (2009) Very similar to their last album. Possibly a tad bit more chaotic in the riffs department, which I hope they don't push any further since the simplicity of the songs was one thing I loved in the first CD, but after a few listens it starts to sink in. The production is again good, perhaps missing a tiny touch of the bass from "Gods On Acid", but otherwise thick and chunky. Overall, if you dug their last CD or bands like Disgorge, this album doesn't disappoint.
• Excruciating Metamorphosis (2019, EP) 2 song ep from the band after almost a 10 year break, and they pretty much pick up right where they left off. The production quality goes up a notch with an excellent balanced mix, lots of memorable riffs and deep guttural vocals. While not a top tier band, listening to these two tracks actually made remember all of the great past work from the group, and how it's a real shame we haven't had anything new in so long. I hope this is the prelude to a full length new album, I want to hear more!
• Matriphagy (2024) After another long break (5 years this time), the band has returned with their first full length in 15 years. And it was totally worth the wait. First off, best mix the band has ever had, everything is really clear, good bass, good treble. Song wise lots of lots of great riffs. In the Disgorge fashion, the songs do tend to blend together, especially when the band is doing their fast picking parts, but the slower chunky bits feel fresh and there's plenty of memorable bits. Love the ridiculously low vocals. Good straight forward early 2000s style death metal, this is going to get a lot of play in my itunes.
  

• As the Coil Unwinds (2007)
  
• Harmony of Discord (2009) Musicwise, this band is very similar to Bury Your Dead, Machine Head, Oblige, even maybe a touch of Obituary. So, medium paced to slow sludgy, ever so slightly grooving riffs. The main difference is the vocals are pretty much straight ahead death metal growls, both mid range and higher stuff, the vocalist reminds me a bit of Jason Netherton (Misery Index, Ex-Dying Fetus). The thing that attracted me to the CD was the riffs, which are catchy, and also the great production, the guitar sound is huge, super detuned really thick and in your face. The music just makes you want to hit somethin in the pit. The songs don't have a ton of variety, but there's enough good riffs to make each song it's own thing. Highly recommended.
  

• The Dethalbum (2007) "Metalocalypse", on Cartoon Network, is a show that follows the fictional metal band Dethklok, sort of Metallica meets Cannibal Corpse meets Spinal Tap. The cartoon is funny as hell, but this album, based on music from the cartoon, I can really take it or leave it. Despite the fact they got some excellent musicians to perform the songs (like Gene Hoglan on drums), all the music is based on snippets of music from the show. So what happens when you take a 15 second snippet and expand it into a 4 minute long song? Pretty much what you'd expect. The songs are kind of derivative, they're repetitive, I tend to enjoy the song for about 15 seconds (the length of the original clip), and then it gets kinda boring. The music isn't bad, it's just nothing special. Maybe I was expecting too much, I mean, this isn't a real band, so why should I expect anything more than what "The Dethalbum" is? The focus of the creators is the TV show, and that's the way it should be. So I highly recommend watching the show, and buy it's first season on DVD which is about to get released. But as for this album, I'd have to say give it a pass. The Deluxe Edition has an extra CD with more songs. These songs have a bunch of soundclips from the TV show mixed in between which makes the whole thing more enjoyable. So if you do decide to buy the album, definitely get the Deluxe Edition.
  

• Devildriver (2003) Basically, thrash with Coal Chamber vocals. And I do mean actual Coal Chamber vocals from Dez himself, guess this is his new band. And that's cool, I mean, it seems Coal Chamber is dead or on permanent hiatus, time to move on to bigger and better things. So expect Dez's usual shtick, except the band behind him is generally faster and crazier, a little closer to Slipknot / Pantera / Machine Head / older Skinlab style with more riffs, less repetition, more speed and a bunch more double kicks. Not every song is a winner, but there are some standout sections like the midpaced double bass section of 'Cry For Me Sky', 'Revelation Machine' and 'Meet The Wretched' or the chorus to 'Swinging The Dead' which has a simple but highly effective and super heavy main riff. I tended to find the later songs on the album to be the best, which is a bit backwards from how most cds go, so if you're not impressed right off the bat start from about track 5 and you may feel better about your purchase. Excellent production with a nice bassy mix (but plenty of Treble too). This may not be everyone's cup of tea, but fans of any of the bands mentioned above will find this very enjoyable. 
• The Fury Of Our Maker's Hand (2005) A nice calm intro leads quickly to a big thunderous chugger of a song, and Devildriver continues right where their last album left off. It's more time, more double bass, more fast riffs, more low chunky riffs, more tunes you just want to head-bang to all day long. The opener 'End Of The Line' is a really great song, and plenty of great riffs to follow. Again, some songs are great, some are only soso, but a good ratio of good to ok. No real growth or progression, just more solid material, and a worthy follow up.
• The Last Kind Words (2007) After a dull and lifeless release from Korn (I reviewed their "Untitled" album on the same day as this one), I put this CD on and said "wow, here's where all that energy went." Devildriver provides another CD in the same vein as their last 2, some good songs, some angry shouting, some brutal riffs. Enjoyable from beginning to end, with very little filler material. Nothing terribly new or surprising, just high quality metal that'll keep you moshing. And a special note on the drums, I have to admit I really like this guy, he knows exactly when to bring in the short burts of doublebass, as well as more long, sustained sections, and he performs them with such ease and power. Nothing else to say really, if you liked the other two, you'll like this, and if you've never heard them before, go to their website and listen to some samples right now, you'll be happy you did.
• Pray For Villains (2009) Talk about consistency. Again, another album very much in the vein of their last 3, excellent production, and some killer songs. The title track is still my favorite, fast and brutal. 'Pure Sincerity' has some seriously nice doublebass for a midpaced song. And 'Resurrection Blvd.' starts off with a similar backward guitar riff as Metallica's 'Blackened', before going off in a totally different direction. The album looses a bit of steam by the last few songs, but it ends fast and fruious, and overall is a nice solid album, if you dug their last 3, again, more good material.
• Beast (2011) Yet another solid album from Devildriver. In an odd way, the band's consistency makes them a little boring, as there's never much in the way of surprises. :) But disregarding the lack of evolution, this album has lots of great songs, catchy while still brutal and heavy, I love the song 'Talons Out', it has the really dissonant melody to it that is very unsettling. I also dig the bonus track 'Lost', for it's somewhat silly chromatic main riff, kinda reminiscent of 'Chromatic Death' by Anthrax. Fans of the band will continue their enjoyment with "Beast".
• Winter Kills (2013) This album is so similar to their last few that I've basically run out of things to say when reviewing the band. The songs are good, the production is good, and fans who want more of what the band has to offer will certainly dig it. I'm definitely at the point though where I wish the band would try deviating just a bit, something to add some extra spice. Not much in the way of icing, but as solid cake goes, these guys are tops.
  

• Technologies (2000) A really successful blend of Meshuggah and Fear Factory, with a touch of Obliveon. Imagine the off time signatures and vocals of Meshuggah (this guys sounds just like Jens Kidman) combined with very precise, tight and mechanical guitar and double bass play the vein of Fear Factory, and some spacy-tech synth intros that remind me a lot of stuff off of Obliveon's "Carnivore Mothermouth". The bassdrums are very triggered, and very even, hats off to the drummer. Anyways, since they're basically combining elements from 3 of my favorite bands, I can't help but give the album high marks. The songs are good, although I find the interludes sometimes interfere a bit with the flow of the songs, as in the song will build up and then the build up is interrupted by something too mellow, but with slightly tighter song writing this stuff would be the ideal combination.
• Automation EP 001 (2002, EP) Similar to their first album but with slightly more treble in the production. Really, really fast and tight guitar / double bass passages. 3 new songs, and 1 live demo of 'Fallen Cities', this EP also contains plenty of computer goodies like live footage and images, etc. Impressive Stuff.
• Calculated (2004) I'm of two minds on this cd, on one hand, this cd is one of the best pieces of brutal robotic tech-metal I've ever heard. On the other hand, the songs are all pretty self similar. So what could have been easily one of the best albums of the year unfortunately ends up somewhere just under the top 10. Anyways, on to the details. Soundwise this album is completely killer. Who'd have thought you could get an even tighter sound on "Calculated" than "Technologies", but they did it. When the band plays a start and stop rhythm, it really does feel like someone's got a staplegun pressed up against your chest, and then they pull the trigger again and again. A highly controlled earthquake would not be an inappropriate metaphor. Stylewise, it's the same super mechanical boolean sound that Meshuggah and Fear Factory have done before, but even more robotic. So plenty to enjoy, but my main complaint is the songs. While there are plenty of good and memorable riffs, they tend to be played 4 times, then never repeated again during the course of the song (so no reoccurring themes to grab hold of). Songs tend to be all at the same tempo (no songs that are primarily fast or primarily slow). And far fewer breaks means all the songs sort of blend together. I would have horrible trouble telling any of these songs from the next with the exception of track 5, 'Catatonic Ruin', which is a slow, held chords thing that breaks the mold, and as such becomes one of the better songs on the album. Also, the vocals are perhaps a little too robotic, this guy takes the monotone style and puts it to such an extreme that if you'd removed the vocals entirely, you'd probably not even notice. So while totally awesome in so many ways, I feel the band really should reorganize their writing process a bit to make songs more distinct. Multiple listens and listening while concentrating on the music does help, so I'd recommend playing it when you're not doing much else. The album ends with a cover of Metallica's 'Battery', Devolve-ized of course, and it fucking rules.
• Oblivion (2011) It's been a long time between albums, and while saying this one is worth the wait would be a slight exaggeration, I can say this is a solid album that I'm sure I'll enjoy for the foreseeable future. The band's style has morphed just slightly, mostly with the inclusion of some clean vocals. But they're not wimpy clean vocals, it's somewhere between the choral vocals of a band like Fear Factory / Strapping Young Lad and Alice In Chains.  They do add some extra spice to the songs, the best example is probably the chorus in the song "From The Ashes". My favorite song is 'Awakening', which has a great start-stop opening riff. The only song I don't dig is 'Divinity', which is a longer track towards the end of the album, it's just a little too out there, too experimental, and the vocals just aren't as powerful as on other songs. The album ends with a cover of Slayer's "Disciple", which is kind cool, since you rarely hear a cover of a more modern Slayer song. I think fans of the band will enjoy this album, it has all the band's strong elements with a little bit more variety and experimentation.
• Reprisal (2012) Continuing in the path of their last album, a little more experimental in places, but the cold harsh electronic sound of their earlier albums is still a strong feature in the band's overall sound. Strong songs with some decent variety makes for a really satisfying album, my only complaint of their earliest material was how self similar the songs were, well, they've adding just enough experimentation to make the songs unique without going too far and losing their roots. Plenty to love for fans of technical death metal. Favorite song is probably 'Reprisal of the Damned', it shows off all of what the band has to offer, from ridiculously tight start stop riffs to fast double bass, from acoustic guitar to crunchy distortion, to their soloing style that jumps effortlessly from melodic to blindingly fast. If you liked the last, you'll dig this one too, just really rock solid material and performance.
  

• Impaled (1997, Demo) 3 song demo of Dying Fetus inspired death metal. The recoding quality is clear, but a little muffled. Gives a god indication of where the band is going.
  
• Promo 97 (1997, Demo)
• Promo 99' (1999, Demo)
  
• Molesting The Decapitated (1999) Debut for the band, super, super low. The band really has two modes, the first is slow, sludgy and chunky, great stuff to mosh to. Then, they have these insane blast moments, uncontrolled chaos, the drummer doing more of a spasm than a beat. The combination actually works surprisingly well. The production quality could use a bit of an upgrade (it's pretty muffled), but still, a nice intro to the band's later material.
  
• 1.3.8 (2000, Demos Compilation) This release is titled 1.3.8 because it includes 1 new song ('Babykiller'), 3 tracks from the "Impaled" demo (tracks 2-4) & 8 tracks from the Molesting the Decapitated full length album (tracks 5-12). The new song is great, super low, super moshable.
  
• Kill That Fucking Bitch (2002, Single)
  
• United States of Goregrind (2005, Split)
  
• Official DVD (2005, DVD)
  
• Butcher The Weak (2005) Very similar to "Unleash The Carnivore". The production isn't quite as scooped, and not quite as "big", but it's still plenty thick. This CD really shows off the Internal Bleeding influence, with lots of super slow chugging riffs, followed by some pretty crazy blasting areas. The songs do tend to blend together, but overall this is a very enjoyable album.
  
• 2006 promo (2006, Demo)
• Split Promo (2006, Demo)
• Limb Splitter (2006, Split) See review in the * section of the album reviews.
  
• Official DVD 2 (2007, DVD)
  
• Unleash The Carnivore (2009) A very Disgorge sorta band, low guitars, blasting and doublebass, ridiculously low gutteral vocals, although the songs are a little less disorganized and a little slower and heavier in general. No real standout songs or riffs, just a sense that you've been violated when the CD comes to an end. The CD does have a lot of good things going for it. The sound is thunderous to say the least, a really excellent mix. The songs are well played and enjoyable in that popcorn sorta way, they're cool while you listen to them but they don't stay with you much after you finish the album. Plenty of good material to headbang to. I just wish they would spend more time writing memorable riffs and making the songs distinct from each other. What can I say, I still dig it and it's worth checking out, even though I know it's junk food, it's still really tasty. 0% on originality, 100% on brutality.
  
• Conceived in Sewage (2013) Their last CD really grew on me over the years, so I was pretty excited for this one to come out. Overall it's pretty similar in terms of song style. My one annoyance is the change to the mix, one thing that was kinda cool about "Carnivore" is that the mix was so huge and distorted. This CD is less distorted, which in a way is good because you can hear the songs more clearly, but in a way is bad because it's not nearly as ballsy as it was, they went from being a force of nature to a more standard metal band. Kinda wish the older production was back. But anyways, only other big change is the inclusion of some Immolation style low note bends, which are done well, but definitely scream "Immolation" everytime you hear them. Overall a solid death metal CD that will be enjoyed by all, but again, I ask them to consider going back to their previous mix for future albums.
• Obscene Majesty (2019) How could something sound so awful and so amazing at the same time? That's the question that keeps running through my head. Allow me to explain. The sound on this record is super muffled. It's overly distorted. It's performed in a sloppy manner. It sounds like the album was recorded to tape, the tape was left out in the hot sun to warp, then the digital master was copied off that. It sounds like water got into the subwoofer of the band's amps, causing them to blow out, but they decided to keep playing with them anyways. You get the idea. But at the same time, this awful sound creates truly one of the most brutal sounds I have ever heard. Yes, I throw the word brutal around quite a bit, but while say Cannibal Corpse's sound is like a hammer smashing you in the face, this album is THOR'S hammer smashing you in the face. Ignoring the sound for a minute, the songs are excellent, lots of stand out riffs, and a great mix of sludgy chunky bits and spastic blast parts. There is a lot to love here, and it truly encapsulates everything Devourment is about. But from a sound perspective, I think I'll have to live in this odd space between loving it and hating it. In the ideal world, I'd love for this to have the same sound as say "Unleashing The Carnivore", which had a brutal sound while still remaining clear, but it doesn't, and so I will just enjoy this for what it is, an experiment in just how extreme a sound the human ear can deal with. Fans of the band are likely to go bananas over this, I give it 2 big thumbs up, with a small asterisks.

• City of the Dead (1997, Demo) Similar to their first full length album, lots of blasting, good songs (3 of them, so it's a short demo), the drums are quite clear, the guitar sound is good but a little muddy, but good for a demo, lots of bass here, a good indication of how the band started off, and they started off with a definite bang.
• City of the Dead CD (1997, Demo) A CD copy of their demo, with two extra bonus tracks. Worth having just get get this material on CD.
• Supreme Evil (1999) Wow! This band has it all, amazing production, great songs, memorable riffs (not just a few good ones, just about all the songs are filled with them), blast beats, double kicks, you name it. The production is very thick and tight with an excellent mix. The band is sort of a cross between Suffocation and Morbid Angel (thank god the production sounds more like Suffocation, or is that thank satan?). They spend the entirety of the CD pummeling the listener with angry riffing, which means there isn't a whole lot of variety theme wise, but a good combination of tempo changes, low chugs, fast tremolo picking, crazy solos that don't sound cheesy and the occasional squawk keeps the ears from wandering. What can I say, I really like this CD, it showcases all the best elements of the death metal genre in one disc, and as a first album from the band, I am beyond impressed. Go buy this CD now.
• Subterrainial Magnitude (2000) After a piano intro, and then a second intro which consists of a rather simple riff repeated over and over again by the band, the album really starts on track 3 with blinding pounding double kicks and tremolo picking. The album sounds a lot like "Covenant" from Morbid Angel. The vocal style sounds sorta similar, the double kicks are low and fast like Pete's, the production is very bass heavy and muffled and the guitars use a bunch of flange. This is not all together a bad thing, I liked morbid angel's "covenant" album, even though I didn't care for it's production and don't really care for the production on this either. But there is enough new stuff in here to keep it fresh and interesting, it's very well done. If you enjoyed their debut you'll like this one.
• Vengeance Ascending (2001) Very very similar to their last album, except the double bass is a lot louder and higher pitched, less big thumps and more electronic thwacks. If you want nonstop double kicks and blasting with bass-heavy slightly muffled production, look no further, this album is pretty vicious all the way through. The only way to make it even more vicious is to add some highend in the mix. Maybe in the next release?
• Infinity Through Purification (2003) I don't know, the band's gone through several lineup changes, and it's been a few years, I guess I was just expecting, something, well, more. The production is still kinda soft, the CD on before this one was plenty loud and vicious, and then when the changer switched CDs, this CD was wayyyyy to quiet. No real deviation from their style, but I find the songs to be not all that great. The band really impressed me with their debut from an originality and memorability standpoint, each subsequent release just seems to get weaker and weaker. It's not horrible by any means, there's just not enough here to persuade me to put this into the cd player next time I'm looking for something angry vs putting in some other cd that's a lot better. I recommend this as a try before you buy.
• Possessed By Death (2006, EP) 3 song internet only EP, contains the tracks 'Devour The Subconscious (Remix)', 'Possessed By Death', 'Avulsions of the Soul'. Pretty impressive actually, it's the same Diabolic style, but it feels more energetic and varied than their last few CDs. These are good songs, with a good mix of fast and slow stuff, and most importantly, each song has a bit of their own personality instead of being too uniform in style. This band has gone through a lot of turmoil these past years, but in this case, it seems to have produced a better end result, the group seems angry and energized, delivering a short burst of frantic tunes with tons of doublebass, blasting and good riffs. Makes me hopeful for their future.
• Chaos in Hell (2007, EP) Another EP from the band, very similar in style to their last EP, 4 songs this time, and still the same mix of fast and slow stuff. The production is a little more polished, although the result is slightly muffled compared to "Possessed By Death", I think I preferred the more treble based production, it gave it a raspy edge that I sorta liked. You can purchase this directly from the band, if you enjoyed any of their previous albums, this will be a nice addition to your collection, and again, hopefully a good indication of a future full length album.
• Excisions of Exorcisms (2010) Their first full-length in 7 years, the results are pretty much what you'd expect. Lots and lots of blasting and doublebass, tons of tremolo picking. Productionwise, it's listenable, but the band has never had fantastic production. It would be great to hear them one day with a really killer mix. The songs can get a little repetitive, the one song that breaks the mold is 'False Belief', which is much slower and builds to something faster, a really nice change of pace. Otherwise, it's pretty much exclusively fast stuff, the better material IMO appearing towards the end of the album. "Excisions of Exorcisms" is decent, and I'm sure will be enjoyed by all fans of the band. Personally, I'd prefer just a bit of extra variety.
  

• The Dark Blood Rising (2001) You ever get one of those albums you just shouldn't be into, and yet for some reason you are? No, I don't mean Britney Spears, I mean Diabolicum, a hybrid black metal / techno / industrial band. I suppose it just goes to prove that the whole can be stronger than the sum of its parts. So first the parts: this is mostly black metal with a mousy quiet production, it sounds like the microphone is placed like 50 miles from the band. Then you have the keyboards doing their thing. Then you have a drum machine blasting away which can get repetitive. All elements that I'm generally not into. Yet, that's where the industrial part comes in, the blasting on the drums alternate with techno beats using the same drum sound. Then the droning tremolo picked guitars start weaving with various samples, and it all somehow works. So I guess the main gist is that as a techno band it doesn't really work, as a black metal band it's just not my thing, but combined they manage to produce some atmospheric music that's great for the car at 3am on the way home from a more brutal death metal show (also useful if you want something fast without worrying about waking up the neighbors). The droning is kind of relaxing (in an evil sort of way), the layering of instruments and samples makes for some cool complex compositions, and the samples themselves allow the songs to each have their very own character. So while not for everyone, you won't be wasting your time checking them out to see if their special brand of metal works with your temperament.
  

• The Chemical Wedding (1998) Just in case you have no clue, Bruce is the former singer for Iron Maiden, and he certainly hasn't changed his style of singing for the current generation. I admire his conviction, except I really hate this guy's singing. It's totally over the top, glam metal high pitched stuff, straight out of the 80s. The only band that seems to use this vocal style successfully in the new decade (in my opinion) is Dream Theater. Anyways, melodic clean parts and symphonic parts mix with heavier riffs and speedy wanky solos. The songs are well written and catchy, even if somewhat unoriginal. In general, this album sounds like an old 80s glam album with 90s production. Other musicians from this era have managed to update their style to be more in tune with the 90s without sacrificing their original style, I just feel Bruce hasn't done this, he's just producing the same sort of thing that you could have bought 10 years ago, without any fresh perspectives. I guess I'll just close by saying I didn't find anything here to get all excited about, but after listening to it a few times, the music quality is good, and fans of this sort of thing will probably find something to like. It's well done, but I just can't get into it.

• Tearing Down Your Blue Skies (2004) So I was fast forwarding through Headbanger's ball (since most of what they play is crap), looking for nuggets of goodness, and happened upon Diecast. The song was 'Rise & Oppose', it had a good Chimaira-esque vibe, a touch of Shadows Fall and maybe even a touch of old Pantera, so I figured I'd give the album a try. The result is almost a decent album. I say almost because the one thing notably missing from that song I heard, the one thing that is contained in just about every other song on the album, is sung vocals. And not cool sung vocals like Devin Townsend or what Fear Factory does, I mean that horrible nu-metal "we are metal but I'm singing so I can get a song or two on the radio" kind of voice. If I'd heard that I would have kept fast forwarding. Ruins a perfectly good cd in my opinion. Overall, we have some pretty angry metal with some good chunky start-stop riffs, a little thrash here and there, nice in your face production and some good hardcorish vocals. But then they do that singing thing, I'm sorry, I just can't look past it, I can't ignore it as much as I'd like to, and so I just can't recommend this cd. I want to, there's some good music here, but the vocals just totally destroy it. Don't make the same mistake I did by buying this album, pick up something like the new Bury Your Dead instead, and grab the one good song / no singing song 'Rise & Oppose' on iTunes or something.

• Fear Of God (1994, Demo) Very similar sounding to Vader's first album, so similar in fact some of the songs could be demos for "Ultimate Incantation". Good sound for a demo, although perhaps a little nasally. Get their new album to get this short demo as bonus tracks.
• Immolated (2001) If it looks like Vader and sounds like Vader, is it Vader? Well, sorta. This band is the side project for Vader's drummer Doc and Mauser, Vader's guitar player, and sure enough, the album sounds a lot like the famous polish death metal band, both in sound and song writing. A few things help differentiate the two, the vocalist is a little more straight forward, the solos are a little more composed and less whammy dive bombing, overall many of the songs are more dominated by the phrygian dominant scale (think yngwie) and some of the riffs can be a bit more melodic, however, especially with Doc drumming, you can expect the fastest blasts in the business, so don't expect this to be a slow album by any means. Hell, Vader is a great band, under any name, and there's plenty of great songs on this album, so I'd say pick it up. The Japanese version has three bonus tracks, which come from their 94 demo.
• The Sin War (2002) Again, A Vader by any other name. I do have to say though, after a mediocre last album for Vader, it's nice to hear an album like this, great songs with great riffs and hooks. Not much more to say really, you've heard it all before, if you're a Vader fan definitely grab this album, it's just what the Doc ordered.

• Subterranean Existential Warfare (2021) In one word, Barbaric. I've been on a Brutal Death Metal / Slam kick recently, heard a lot of new bands, some good, some middle of the road. But this unpronounceable band has really got something here. Imagine Devourment but without the fast parts. The guitars are so low and distorted, I don't think I can call it a guitar, more like vomiting lava. Really pounding drums with that pop can snare that I'm not fond of, and yet it works so well in this context. And man, I've of course heard "Bass Bombs" before in music, but I never knew what they were called until now, they are used so perfectly here as accents. I found myself slamming my head over and over again to the beat in my car on the way home, live these guys must be insane. They even add some good spooky intros and interludes, while it doesn't completely get rid of the sameness that is sort of inherent to the genre, it does provide some moments of contrast to the bludgeoning attack. Check these guys out!
  

• Plateau (1998, Demo)
• Point of Few (2000, Demo)
• Perceptive Deception (2001) The best way to describe this album is by describing the first 5 seconds of music. The album starts with low gargled vocals overtop of blastbeats, no intro, not soft start, not even a few riffs and then vocals, just straight into the mayhem. That attitude is pretty consistent over the rest of the album, tons of robotic blasting double kicks and tremolo picking / fast palm muted rhythms (with the occasional squwack of course). Low and crunchy production. Nothing revolutionary, but really high quality blasting death metal, with lots of very memorable riffs. If you've enjoyed albums from Vile or Disgorge, you'll love this stuff.
• Stagnated Existence (2007) Well, it's been 6 years since their debut, and finally we have the long delayed 2nd album. Was the wait worth it? Well, if you think Disavowed went away for 6 years and wrote the greatest death metal album of all time, then no. But if you want another album in the same vein as their last one, this CD doesn't disappoint. Lots of blasting, fast guitars, low gargled vocals, perfectly performed. Lots and lots of high quality riffs and hooks. No slow bits, no samples, no keyboard intros, pure straightforward no-frills death metal. If you enjoyed their debut, or just want something that smacks you around for about 30 minutes, this fits the bill. Highly enjoyable.
• Revocation Of The Fallen (2020) So I have to admit, I was looking forward to this album after a 13 year break, and once I heard it, I just didn't like it at all. But I realize that the issue is expectation vs what I got. Their first two albums were almost identical, super fast super technical blast fests. And this album is, well, quite different. There are fast parts, but there are also groovy bits, slow chunky bits. Overall, in many ways, it's a much better balanced album than anything they put out in the past. But because I was not expecting that, it threw me for a loop. So shock over, now on to the album itself. The first two songs are generally Disavowed material, but then the title track is the first song where we see some major deviation with a slow opening riff that travels all around the fretboard on guitar. In some ways, this reminds me a bit of the Netherlandish band Polluted Inheritance if you remember those guys. So a little more noodly, a little more in the way of atonal riffs. What follows is a lot of jumping between these two styles. It's still plenty technical, lots of complex changes. Just more riff speed variety. Overall I now enjoy the album a lot, I still think I prefer their first two, but this is well worth a listen, just be prepared, you won't be getting the same album from the band that you may have been expecting.
  

• Ulterior (1995)
• Jouhou (1997) 32 songs of unbridled chaos (at least 32 songs on the extended 2.0b Jouhou CD, which includes some extra stuff). Plenty of high-pitched screaming (imagine you cut your throat open with a razor, you'd probably sound like this before you died). Plenty of blasting. Plenty of buzzsaw guitar reminiscent of early napalm death albums. Songs clocking in between a minute and 24 seconds. Very chaotic and freeform(but don't take that as a sign of sloppiness, these guys are actually quite tight), no click track for this stuff. Production is pretty simple, there doesn't seem to be any bass on this recording, so don't expect big balsy production or anything, but all the instruments are clear in the mix. Anyways, there's enough creativity in the riffs to keep the ear interested through the barrage of speed and screaming. Grindcore fans will certainly enjoy.
• Original Sound Version 1992-1995 (1998) A collection of all the split EPs and such the band released during the years 1992 to 1995 (69 songs in total, coincidence???). So the production varies, but it's all pretty decent (with the exception of a few overly noisy live recordings). See the Jouhou review for the general style of it all.
• Inalienable Dreamless (2000) Good old grind in an early Nasum vein. Best production they've had yet, although still top heavy, some very highpitched gargly screams, tons of blasting, short songs and plenty of them. Good, solid, intense grind, come on, you can't possibly say no. Real slick package, comes in a DVD case with a nice booklet filled with serene interior artwork, a perfect contrast to the bloody mayhem that exists on the cd.
• Pikadourei (2002, DVD) Plenty of stuff on this DVD. It starts off with a 21min show from Japan, 2001. Imagine the scene, one very small stage, a guitar player, a drummer and a guy screaming. At first, you're gonna think your DVD player is messed up, then shortly you realize that the stuttering and video artifacting is intentional, it's not a glitch. The camera gets tossed around all over the place on this one, and while some of it is post processing, the rest is just the camera guy was in the middle of the moshpit getting the fuck knocked out of him (note, there's actually several cameras, so it's a little more produced than a standard bootleg concert). I suppose the band wanted to truly capture the feeling of one of their concerts, and hell, they succeeded. If you're one of those people who likes standing towards the back of the concert so you can see the band play, you're gonna be disappointed, but if you're one of those "in the pit" guys this is about as close as you can come to a pit without actually being there. Warning: If the "Blair Witch Project" made you ill from motion sickness, so not watch this segment of the DVD. As for the music, it's pretty noisy, but the sound is taken right from the camera's mic as opposed to a soundboard, so it's understandable. This may sound low tech, and, well, it is, but it's actually pretty cool, and a good representation of the crazy mayhem the band is all about. Also on the DVD are two music videos, the second one is actually pretty cool, a lot of text / images flashing on screen to the insane beat of the music. Also included is a discography, and some tab for a bunch of songs. And, as a bonus, if you have a DVD drive on your computer, you have access to mp3s of the albums "Jouhou" and "Original Sound". Overall, a nice collection of stuff, if you dug their "Inalienable Dreamless" cd, I'm sure you'll find plenty on here to peak your interest.

• Promo 2009 (2009, Promo)
  
• Sunken Chambers of Nephilim (2010) Similar to their later promo, but maybe with a little Cryptopsy and Deranged thrown into the influence mix. The songs are blasting and brutal, and well written. The album got the bass that their Promo lacked, but in doing so it lost top end, resulting in a bit of a muffled experience. Enjoyable, nothing terribly new, but well done, I just hope they work on their mix for their next album.
• Promo 2012 (2012, Promo) Very similar to Disgorge (in fact, they're right before Disgorge in the alphabet, coincidence?), with a few small tweaks. Vocals aren't as low, but are equally as unintelligible. And overall the songs have a little bit more in terms of song structure to them (another good comparison would be Pathology). The production is decent, although perhaps a little extra bass would be nice. 1 Intro and 2 songs, so it's short, but it's freely downloadable, so check it out, and lets see what they muster for their next album.
• Misery (2014) Highly Disgorged inspired album. My issues with the promo are resolved, the mix on this album has an excellent level of bass and highend. The songs are a little more followable than Disgorge, but still the album tends to bleed together into one single super brutal song. It's not overly long, so it keeps your attention. And the album has amazing cover artwork (which sadly is printed a little too dark). Overall very enjoyable, they aren't breaking new ground, but it's well done.
• The Decaying Light (2019) A great followup to their last album, this one dulls the Disgorge influences a bit and introduces a little more Immolation to the mix. The songs still tend to bleed together into a single long song, but overall there is more variety, more slower sludgy parts, odd discordant harmonies, atonal droning. And yes, blasts and low gargled vocals of course. The band really feels like a force of nature on this one, huge thick production that brings to mind enormous ancient gods roaming a barren landscape, crushing all survivors of some great war that fall into their path. Highly enjoyable.
• Nothing Above (2024, EP) A 4 song EP to reinvigorate the fanbase before a new full length. it's funny, I read an article where a band member said they wanted to introduce their new sound with this EP, but honestly, he's hearing some nuance that I'm not getting, because this sounds very much like their earlier album, a bastard mix of Disgorge and Immolation. If there's any big change it would be that the bass drum sounds too triggered and quantized. The band has this nice organic feel to it, the bass drums feeling a little behind or in front of the beat at times would add to that vibe. Perfection is not necessary. Any ways, the 4 songs are all good, with many memorable bits. If this is the "new direction" for the band, I'm all for it, and look forward to the full length.
  

• Cognitive Lust Of Mutilation (1992, Demo)
• Demo 1995 (1995, Demo)
• Cranial Impalment (1995, Demo)
• Cranial Impalment (1996, EP) 4 songs from their "Cranial Impalment" demo plus 4 songs from their earlier "Demo 1995". The album starts with a good 10 seconds of throat clearing. Need I say more? There's a fine line between low and evil vocals and vocals so low they're just silly. This band takes that line and fucks it up the ass. I swear, you will never hear lower vocals than this dude, I couldn't help it, it was just too funny. Many of my non metal friends heard this guy and didn't realize it was a human voice, it sounded like a garbage disposal or something like that. Ok, ok, enough about the voice, even though it's sorta funny, it definitely got my attention, and does make the band reach a level of evil unattainable by many. The music is great too, pretty damn close to perfect production with good low and high end, fast riffs, very fast and precise double kicks and blasts. I think the closest comparisons I could make are between these guys and Internal Bleeding or Deeds Of Flesh. The songs tend to not have much to distinguish themselves from each other, but, you know, at this point, I don't think I care, let other bands worry about memorable songs, let this band worry about injuring every person in the moshpit. Overall a great album, I highly recommend getting it.
• She Lay Gutted (1998) More of the same, a continuation of their last album. Same strengths, same weaknesses. Well worth checking out, these guys definitely know how to brutalize the listener with a good chunky riff, damn, I'd like to see these guys live. Again, all the songs tend to blend together, but that has the advantage of a uniformly great album with no real weak spots. Great, great riffs that really get you going in the mornin. A little more treble and a little less bass than their EP. If you liked the EP, get the CD, that's about all the I can say.
• Consuming the Forsaken (2002) This album should be no surprise to anyone. Lots of blasting, double kicks, squawks, chunky riffs and tremolo picking. Excellent production, very thick, a great mix lets all the instruments shine. Unfortunately, Matti Way isn't with the band anymore, their new vocalist AJ is about 95% as low as Matti was, I really have no complaints about the vocals, they're done well, totally guttural, despite the booklet full of lyrics, I really can't find any connection between them and what's on this CD. My only real complaint is the songs, it is impossible to tell one song from another, they all sound so similar, the riffs are great, but very little variation. Look elsewhere if you want catchy recognizable tunes. Otherwise, this cd will be in my player for awhile, it just has so many of the elements I love.
• Parallels of Infinite Torture (2005) Well, what can I say, Disgorge is still Disgorge. Although perhaps a bit improved this time. My main beef with this band is how difficult to follow the music is, I love the low vocals, brutal attitude and the super low thunderous production, but their songs are basically just collections of riffs that are played once and then never again, which means there's no groove, and no memorability. This album, while retaining the same style, does offer a few things to help differentiate songs. Like for example the album fades in on a nice catchy repeating riff. Song 3 is 'Atonement', which was originally recorded for their "Cranial Impalement" EP, so when you get to track 3, you immediately say "hey, I remember this". Track 5 has an interlude that breaks up the otherwise constant barrage of blast beats and crazy guitar riffs. I guess what I'm saying is the band has left landmarks in the album this time, a way to at least partly differentiate this song from that song, where their last album every song was just so identical to each other. I'd love if the band continues this trend for future albums and push it even further, since much of this album still fails to reach any level of catchiness. A big improvement though on the song front, and I've always been impressed with every other aspect of the band, so well worth grabbing.
  

• Dreams Of The Carrion Kind (1993) Disincarnate is the pet project of metal guitarist James Murphy, and showcases his impressive lead work and song writing skill. The riffs are solid, they remind me a lot of Death, and are primarily based on slow-paced tremolo picking on the low strings, and scale / arpeggio based fills on the higher strings. The songs spend most of their time playing with the more technical aspects of metal, as opposed to brutality, and remain mid tempo with a few slower parts, nothing too fast though. The production is quite good with a thick but clear guitar tone, the drumming is decent and well done, although nothing spectacular. The leads are fast and a good example of James' thick lead tone and super precise picking. This album showcase perfect technique and superior musicianship from a performance point of view, but it lacks any real signs of aggression, which is the only place it falls down.

• Like an Ever Flowing Stream (1991) A great companion to Entombed's "Left Hand Path". This album has that trademark distorted sound, and the vibe is really energetic. I can't pinpoint a single song that's particularly better than the rest, all are equally strong. A great album to mosh to, not super inventive, but high quality just the same.
  
• Pieces (1992, EP)
  
• Indecent & Obscene (1993) The sound on this release is a little dryer than their previous album, with not quite as much reverb. But the general guitar sound is the same. Some classic songs on this one like 'Skinfather'. The songs are sort of a cross between early Entombed and later Entombed when they added the more rock elements to their music. For example, the beginning to 'Sorrowfiller' could be right off "Wolverine Blues". But the beginning of a song like 'Souldevourer' sounds just like something off of "Left Hand Path". A good album, definitely worth picking up for the great riffs and overall aggression.
  
• Casket Garden (1995, EP)
  
• Massive Killing Capacity (1995)
• Misanthropic (1997, EP)
  
• Death Metal (1998)
• Hate Campaign (2000)
• Where Ironcrosses Grow (2004)
• The God That Never Was (2006)
• Dismember (2008) While I've known of the band for years, I never picked up any of their albums because I always sorta saw them as a clone of Entombed. But considering Entombed basically stopped sounding like themselves in the mid 90s, and after hearing a few tracks from this album, I decided to finally give the band a try. Overall I'm impressed, it's old school Entombed style death metal, the same general riffs, the same guitar tone (god I love that tone, it's just the most evil sounding distortion ever), this album could easily be from the same era as "Left Hand Path". In fact I'm a bit surprised the band didn't go for some nicer production, this album is a little messy and dirty, it's enjoyable in an old school kinda way, but the mix doesn't stand up to today's technology. Many of the songs are cool, I really dig the slower track 'Europa Burns'. There are a few bits that are more rockin like the ending to 'Under A Bloodred Sky' that I am not a fan of , but there's only a couple of those spots. In general, if you enjoyed Entombed's first album, give this a try, nothing super new, just good strong classic death metal.
  

• Redemption (1998) Lets see, this band is made up of all the members of Malevolent Creation from their spectacular "In Cold Blood" album, without Phil Fasciana. So Phil went on to record the new Malevolent with new musicians, and everyone else went to record this album. The result? As expected, a CD similar to (but not quite reaching the level of) "In Cold Blood" or Phil's Hate Plow project. In 33 minutes, we get a full dose of blast beats, double kicks, crunchy guitars, tremolo picking and screams. The riffs are very memorable, but I found the song structure to be too simple (as in, the patterns were too predictable). The production is great, lots of bass and a good, strong scooped sound (And a very low guitar sound). If you liked "In Cold Blood", what can I say, "Redemption" has similar stuff and will certainly appeal to you. I definitely suggest taking a listen, this is high quality death metal the way it should be played.
• Doomed To Inherit (2000) After reviewing two speed freaks this week, this album is a hell of a lot slower in comparison. There are blast beats here and there, but overall, the riffs aren't as fast. Don't take that as meaning it's any less powerful though. What the jackhammer can't penetrate, the sledgehammer can. It pretty much does a repeat of last album, excellent production, good riffs, good songs. Drumming on this release is Alex Marquez, who we haven't heard from in a long time. He does a good job, but nothing breathtaking like his performance on Malevolent Creation's "Retribution" album. Again, if you liked the last album, here's another solid release in the same style, no surprises, but no worries either.
• Nostradamus (2003) Other than the songs being overall faster than previous efforts (still plenty of slow heavy parts though), there's really nothing else here to differentiate this release from anything the band has already done. But does that really matter? This album is very much a "Redemption" Part 2, so while it could be argued that the band really isn't progressing very much, that isn't necessarily a bad thing. They seem quite happy to say "fuck innovation" and just bulldoze you over with thick riffs and good playing. Fine with me. Sometimes I like hearing stuff that's different and innovative, and sometimes it's fun to just listen to something simple, catchy, angry and heavy. If you're in that frame of mind right now, this album fits the bill perfectly.
• The Making of Doomed to Inherit (2003, DVD) As the name implies, the making of their second album, in video form. The DVD starts off with the rehearsal area, probably the corner of a warehouse somewhere (damn that area is small), and about 4 songs are practiced all the way through (not the best sound quality, but listenable). Following that is a nice little bit where Jay and Alex are working on a song, Jay's teaching the band the riff, and Alex is experimenting trying to decide what's the best beat to use. Then after about 10 minutes of just hanging out and shooting the shit with the band and their friends, we move to the actual studio, a warmup on drums, then they start working through songs (3 all the way through, and decent sound). We get to see it all, the mistakes, the band starting, stopping, the songs getting edited afterwards on the computer, honestly this DVD is a fantastic view at the recording process of a death metal band. Just about every DVD bands are releasing are live performances, sound checks, or the band on tour, it's nice to finally see a DVD documenting what happens in the studio, which makes IMO this DVD a must have for it's uniqueness, and for the good music of course. It certainly makes me want to listen to the CD again tomorrow.
• Method Of Execution (2005) My first reaction, surprise. Surprise you ask? Well the first song is far more black metal than death. Tremolo picking with reverb? Keyboards? And I don't mean a keyboard intro, I mean integrated into the song. Is this Dimmu Borgir? Anyways, at about 2 minutes in the band breaks down into something a little more characteristic for the group, but I have to give them points for trying something a bit different. Overall this album is pretty much exactly what you'd expect from a Divine Empire album, same sound, same song style, but they do mix things up here and there, like an unnerving acoustic guitar / violin piece called 'Prelude To The Storm', that is followed by the more brutal piece 'Storm Of Hatred', but even that song has what I could only call a waltz from hell in the middle of it. The album even ends with a rockin number reminiscent of Entombed's new style (while I'm not a fan of that style, I can get into it for a single song, I wouldn't be as happy if it were an entire album of this sort of stuff). I think fans of the band past material won't be disappointed, it's the same sort of stuff for the most part, just with a little more variety here and there which I think makes the album far more appealing overall.
  

• Bleed The Fifth! (2007) Brainchild of former Fear Factory guitarist and co-founder Dino Cazares. While it may be unfair to compare the two bands (and there's certainly been enough mudslinging between the two groups about who really invented the Fear Factory sound), I think comparing them does give me a good way to describe their style, both where they are the same, and quite different. Guitarwise, well, it's Dino, of course you're going to get the super heavy and low, ugly distorted sound with super tight delivery. What you also get is some shredding guitar solos, something that we never got with his old band, and they work really well. The drums (handle by Tim Yeung) are just devastatingly fast. Tim has never had a louder, more triggered sound before. Imagine Raymond from Fear Factory's sound, but with way more blast beats, and more sustained doublebass. And while Tommy Vext on vocals will undoubtedly sound a little Burtonish now and again, I'd almost say he's got a little more of the Phil Anselmo from Pantera growl to him (Check out Track 2, you'll know exactly what I mean). Also, his clean vocals are a little drier, they have way less of that chorusy feel, basically it sounds like one guy instead of a team of singers. His singing voice isn't bad, but thankfully it's kept to a minimum overall. Music wise, short, focused songs, plenty of memorable and catchy riffs. Not a lot of slow and groovy tunes, mostly it's fast, faster and fastest. Overall, imagine Fear Factory crossed with Pantera, played twice as fast, and with a slightly more death metal vibe. Comparisons aside, this is a spectacular debut from the band, I have not heard such a vicious album in a long time. The sound is perfectly mixed, the band is incredibly tight, and it has all the elements that make me go "fuck ya!". Next time I decide to repaint a room, I know what album to use to peel the old paint off. This is an instant must buy.
• Bringer Of Plagues (2009) Overall another excellent album. Plenty of lighting fast doublebass, razor sharp riffs and memorable songs. A few notes, the mix has far more treble to it. Bleed The Fifth had a nice strong bassy sound while still keeping the highend clear, whereas this is slightly more nasally, like angry bees. Hopefully they'll get the bass back for their next album. Also, this is the first album for new vocalist Travis Neal after Tommy "Vext" Cummings left the band. The result is overall good, but I do have to admit Travis' voice is a little more generic than Tommy's. But that said, he does an excellent job on both the screaming and sung vocals. And I'm pretty darn picky about how clean vocals are handled. It's just that his voice isn't distinctive, if I heard him do vocals for another band I'd have trouble recognizing them as his. Finally the last couple of songs are a bit slow/quiet for my tastes, I assume the band was trying to get some variety in there, and that's cool, but I just feel the last 2 songs aren't as strong as the rest of the material on the album. Other than those small problems, a great follow-up, and far superior to the Arkaea album that Raymond and Christian (or Fear Factory) put out.
  

• The Burning Passion (2003) After a Morbid Angel inspired whammy guitar intro, the band settles down into a pretty standard death metal groove. First off, the guitars are way, way detuned. Overall style is a cross between Morbid Angel's "Covenant" and any of Nile's early albums (without the egyptian inspired scales). Guitar solos are definitely Morbid Angel. Drumming is appropriately fast and blasting. Vocals are low unintelligible growls. The band has at least two "symphonic" pieces, which I suppose are meant to sound all eerie, instead it sounds more like the soundtrack to a Kings Quest game running on a sounblaster 16. Production is in your face, but muffled on the high end, and not as much bass as I'd expect for guitars tuned this low. I don't know, the album certainly isn't bad, but it's all stuff I've heard before without anything to really grab hold of the listener either in the originality or technical perfection department.
  

• Grind Trials - The Demos EP (2006, Demos) A collection of the band's first 2 demos. First, just for the completists among you, this is not in fact a complete collection. The first 3 tracks are from their 2nd demo in 2006, the last 4 are from their first demo in 2005, however, their first demo also included different recordings of the first 3 tracks. Rather than bore you with two copies of the same song, the band choose to leave them off, but if you want these 3 other tracks from their first demo, I highly recommend visiting their site and downloading them. Now for the review, this band shows a lot of promise. The band sounds a bit like Benediction, but faster with more blasting and double bass. Many other elements from early 90s death metal as well, from Morbid Angel to Malevolent Creation. The thing that sets Downlord apart are the memorable riffs, even after a single listen these songs stick in your head. Production is so-so, fine for a demo certainly, with the 3 more recent tracks sounding the best. I'd definitely recommend picking up these demos, and I can't wait to hear how the material finalizes for their debut album.
  
• Random Dictionary Of The Damned (2007)  A bit of a disappointment. Not the songs of course, they're still great, both the ones they re-recorded from their demos and the new ones to help round out the album. The disappointing part is the production. It's actually worse than the production of their most recent demo. How on earth does that happen? The sound is thinner, oddly mixed, a little too far away, slightly muffled. It's tough to get a good grasp of the problem, but it just doesn't have the same big feel that the first 3 tracks off the Grind Trials EP had. Everything else is excellent, there's plenty of aggression here, great riffs, nice drumming, and it's a real pleasure to hear Dave Ingram on vocals again. Anyone who enjoyed Benediction from the early 90s will get a kick out of this CD. But personally I'd recommend getting their EP as well, to hear at least a few of these songs recorded properly. Hopefully their next album gets a better sound, the songs deserve it. Still recommended, but it could have been better.

• Variables (2013, EP) I guess this is what Periphery would sound like with heavier yelled vocals. The heavier bits sound a little like Bury Your Dead, but the sing songy bits sound almost identical to Periphery, especially the vocals. The band also incorporates more keyboards than Periphery, maybe a little closer to Bulb's work. The songs are decent, but I'm not sure this band has much to offer beyond what other bands are already given us. It's enjoyable, but not sure I'll be coming back for more.
  

• To Kill Is Human (1999)
• Crusaders of Blasphemy (2002, EP)
• Extermination Revelry (2003) Similar style to their "Black Death" album, but with a thinner, scaled back production (this album sounds like 2 guys in the studio playing guitars whereas on "Black Death" the guitarsound had this "force of nature" quality, due primarily to more overdubs and a little reverb). Still decent production though, just not as huge sounding. The songs also aren't quite as good, still plenty of tremolo picking and blasts and doublebass, but not very many standout riffs. The band definitely gelled on their latest album, this cd is still good but a little uneven and uneventful. There are a few good songs, 'Abyss Behind My Gaze' has a nice middle east feel that's vaguely reminiscent of Bolt Thrower, but you may wish to skip this and go straight for their latest for your maximum listening enjoyment.
  
• Return Of The Black Death (2004)  A cross between Morbid Angel's "Covenant" album, Immolation and Soul Reaper. But I don't want to immediately throw them into the clone category, I mean, if you analyze them you can certainly hear the influences loud and clear, but unlike most clone bands, Drawn & Quartered have something about them that makes you want to listen to them rather than dismiss them: the songs of course. Rather than a complete rehash, the band takes the overall sound and vibe of their influences and writes songs that tend to stick in your head after the cd is done. Productionwise, the album has a big wall-of-sound thanks to tons of overdubs, and a little echo to everything making it sound like it's being played in a big cavern somewhere. That can sometimes be a bad thing, giving it that "far away" feel, but they manage to avoid that thanks to a killer mix. It also gives it a slight "Gothic" / "Armies of warriors clad in armor suits fighting each other" feel which works well with the band's "Dark Ages" motif they have for this album. Vocals are pretty straight ahead David Vincent (Morbid Angel) style, lots of tremolo picking on guitars with the occasional squawk, the drums, especially the blast beats are really smooth and fast, reminiscent of the drumming off Soul Reaper's "Written In Blood". While nothing unique, this album is really good stuff and highly recommended.
• Hail Infernal Darkness (2006) First off, what's with the muffled production? I mean, I know it's tough to remain consistent what with different studios, different engineers and different budgets for different albums, but I'd hope that once you get a good quality sound you'd be able to at least match it if not surpass it on each subsequent album. Anyways, the production isn't bad, just muffled and I miss the great sound they had on "Return Of The Black Death". Otherwise, a very similar style, plenty of overdubs and reverb. The songs are decent, and they really save the album from becoming just average. Multiple listens will help too, as the tunes solidify in your brain. Overall, a tiny baby step back from "Black Death", worth buying but I hope the band pushes forward with their next release.
• Merciless Hammer of Lucifer (2007) Huge step backwards for the band. The production just sucks on this release. The bass is nonexistent, the sound is muddy and thin. What the hell happened? Some of the songs are decent, but it's just way too tough to get past the crappy sound to really enjoy them. Special edition includes a bonus CD with 9 tracks, mostly demos and promo tracks from 2003-2003. Nothing too spectacular that you haven't already heard on their other albums. Maybe, if you're a huge fan, pick it up for some cool songs, but if you're like me and can't stand badly produced music, this is painful to listen to. Overall, I have to say give this a miss.

• When Dream and Day Unite (1989) Recently re-released, Dream Theater's original first album (although it may have originally been released under a different band name). The same band we know, except with a different singer. This singer, and many of the riffs remind me of Rush. And the Malmsteen influences are also much stronger. But there's some good song writing here, and good musicianship overall. They just haven't yet perfected their original style that appears with their next album. Worth owning to see some of the roots of the band. Decent production, but too much reverb, sounds like they're playing far away instead of right in your room.
• Images and Words (1992) Call them progressive rock or metal, Dream Theater is all about complex rhythms, time signatures, long songs and melody. It's a musicians music, never ceasing to amaze. This band is really tight, one riff will be a standard type rock riff, and then the next will be the whole band in perfect unison playing a super complex harmony with fast 16th notes. The sound is excellent, there are heavier parts, lighter parts, and some rather inventive riffs (and unique chord progressions). The vocals do sometimes go over the top (as in really high pitched operatic stuff, we've all heard it before), but I don't find it detracts from the music. If you want something experimental but still rock based in its roots and execution, try the band.
• Another Day (1992, EP)
• Live At The Marquee (1993, LiveEP) 6 Live songs, a few from Images and Words and a few from When Dream and Day Unite. The recording quality is good, not a whole lot of bass, but everything is very clear which is nice. Actually, I like this production, because you can tell it's definitely a live show with no overdubs, but still well recorded and performed.
• Awake (1994) A little more metal based, some of the songs are more straight forward, but it's still complex stuff. High quality riffs, a slightly messier guitar tone but more powerful overall.
• Lie (1994, EP)
• The Silent Man (1994, EP) Three tracks, the silent man from their awake album, Take the time in demo form, and a new track called Eve. The demo is good, not as well polished as the album version, at the same time, nothing terribly different music wise. The new song is instrumental and very quiet and serene, a good song although not mind blowing, but if you can find this EP for cheap, the final song is certainly worth a few bucks.
• A Change Of Seasons (1995, EP) First, a 23 min long song broken up into various movements. Rock opera at it's best. Followed up by some lives songs, all covers from the band's influences. Didn't find much of interest in the later half of the CD, but the first half is good.
• Falling Into Infinity (1997) It's ok, but I'm not nearly as impressed with it as I was with their previous albums. Most of the songs stay in standard time signatures, and several of the riffs seem tired and unoriginal. And the keyboard playing seems forced (They got a new keyboard player, and his keyboard sound isn't as good as Kevin Moore). Still several good songs, mainly in the middle and end of the album. Hell's Kitchen is a beautiful instrumental, and as far as I'm concerned it starts the album. This album has grown on me over time, I do like it, but I feel the band should go back to being a little more experimental.
• Hollow Years (1998, Single) A 3 track EP with an edited verion of Hollow Years (presumably for the radio), the full version, and an audio Biography on the band that lasts about 20 seconds.
• Hollow Years (1998, EP) The radio and LP version of 'Hollow Years', followed by a demo of 'You Not Me' which is a good bit different from the final version. Then a bonus track called 'The Way It Used To Be', which is a cool song, no reason it couldn't have gone on the full album. Then two live tracks / medleys which cover 'Hell's Kitchen', 'Burning My Soul', 'Another Hand', 'The Killing Hand', and a few riffs from 'Only A Matter Of Time'. Definitely worth buying if you can find this rare EP.
  
• Once In a LiveTime (1998, Live) A 2 CD set, lots of live material. Not much else to say, the sound quality is excellent, and you get to hear the band play note for note live a lot of stuff they've played on their albums. A good album, but I feel it doesn't offer much of anything different from their studio albums.
• 5 Years In a LiveTime (1998, Video) Some songs from their Live CD, and a lot of unreleased stuff. The video is entertaining, it's lots of live shows and appearances put together, and you get to hear a lot of unreleased Dream Theater stuff, and some neat cover songs, and some surprise guests. And you get to see 'Metropolis' played live. Seeing the band in action does give the music a new dimension, I'd suggest picking this up.
• Metropolis Pt 2: Scenes From A Memory (1999) Based originally I assume on an unreleased song sequel to the song off of "Images and Words", the band has taken the song and expanded it into a whole rock opera. And I do mean opera, or broadway show, or whatever, since the whole album is pretty much one long song divided into various movements or scenes, similar in nature to their "Change Of Seasons" EP. There's even a whole story line to follow if you read the lyrics with actors and plot. The riffs generally are a great improvement over their last album, we're back to mind numbingly complex time signatures again, and some really nice hooks. However, a few of the pieces get a bit too preachy and maybe a bit too cheesy for my tastes, not a thick cheese, maybe some mild mozzarella. The songs really do act as one single unit though, maybe if they'd used the same riffs but structured it as an album of songs instead of one big production. But anyways, I'm glad to see the band get back to the technical stuff that made their first two albums really cool, and there are some nice heavy parts too (I think their new keyboardist does a good job of complimenting the band again, instead of standing out as an unrelated solo player.) Not for everyone, but people who like this sort of style should find lots to love here.
• Through Her Eyes (2000, EP) A radio edit copy of 'Through Her Eyes', followed by a remix of 'Through Her Eyes' with some added solos and such, nothing too radically different from the album version. Then a live copy of 'Home', again, not to different from the album. Then a live medley of 5 of their older songs, good production, etc. It was also nice hearing a few songs off of "When Dream and Day Unite", updated a bit, although I personally don't like medleys much, I prefer to hear a song all the way through. Definitely one of the longest EPs I've ever heard, probably something only a collector will drool over.
• Metropolis 2000: Scenes From New York (2001, DVD VHS) Close to 3 hours of music on this DVD. The main attraction is the entirety of their "Scenes From A Memory" album performed live. What can I say, it's great, these guys are very professional, and hit every freakin note and more. Some good parts include an actual gospel choir for 'The Spirit Carries On', several nice guitar solos from John, and of course, Mike on drums, who's just all over the kit. A few nits to pick though, first, no Keyboard solo from Jordan, on the tour he does this extended solo that's amazing, and it's not on the DVD. Also, instead of the usual hypnotherapist, they have some guy actually stand up on stage and perform those parts, no offense to the guy, but he voice is not as good as the guy on the original DVD, and the guy in the live concert I saw when they came through LA. Lastly, all during the concert instead of just moving from camera to camera there's all these annoying "visual effects", basically, a lot of flipped screen stuff, bad looking photoshop type filters, and other cheesy effects, the kind of stuff you learn the first month of any beginners level compositing course. Please, let us see the band, it's cool you're including some visuals that help move the story line across, but don't get all artistic with the editing, you're detracting from the band. Fortunately, in the bonus tracks on the DVD is close to an hour of songs that are untouched by the bad effects, including 'Erotomania', 'Learning To Live', and all 30 minutes of 'A Change of Seasons', which I personally think is probably the best thing on the DVD, especially James' voice which totally shines on this song. They also include a 30 min documentary talking to the producer, showing fans, etc. Overall, a must buy, this DVD is intense and just when you think they can't play any more, they start a new 25 minute song :).
• Live Scenes From New York (2001, LiveCD) Not much to say here that wasn't said in the review of the DVD. Buy this because it has a great performance. Buy this so you can listen to the music on a CD player while working. Buy this because it includes 3 full CDs of music. Buy this because it includes ALL of the extra tracks performed but not available on the DVD (such as 'Metropolis Part 1', 'Acid Rain', 'Rudess Keyboard Solo', etc). I guess in general, just Buy This.
• Six Degrees of Inner Turbulence (2002) How do you follow up one of the greatest concept albums of all time? Well, with something completely different of course. This two CD set goes back to the band's single song format for the most part, with 5 stand alone tunes on the first disc (most of which are over 10 minutes long each), and a giant multipart song on disc 2. From the first track on disc one, you're hit with a heavier, angrier Dream Theater than many may be accustom to, making their current heaviest piece 'The Mirror' seem weak by comparison. But by track 2, a softer more lyrical power ballad, you realize things haven't changed all that much. Most of the songs remind me of "Falling Through Infinity", although a lot fresher, not to mention containing Jordan's amazing keyboards, which I still feel work a lot better than Derek's did. Anyways, the second disc is a big long song, similar in style to their last album, but of the scope and length of "Seasons". I didn't care much for the first movement (reminds me too much of a highschool musical), but the rest of the movements are fantastic, with some great riffs and good song structure. This album will definately spawn some classic DT songs that fans will enjoy for years to come.
• Train Of Thought (2003) Yickes! Ok, who pissed off Dream Theater? For years the band has been known for effortlessly switching between the heavy and the beautiful, positive and negative. For example, their last album opened with a big and heavy tune ('The Glass Prison'), and then was followed up by a calmer and groovier 'Blind Faith'. Or a bright ray of sunshine like "The Spirit Carries on" in the middle of a dark tale of murder and deception ("Metropolis Part2"). That's not the case here, the whole album remains pretty dark, angry and disturbed. This is not a bad thing at all, I enjoy the heavier Dream Theater, but I do think I miss a little of the variety. Anyways, this is a single 7 song CD, close to 70 minutes, think of it like "Inner Turbulence" but without the 2nd disk. I'll do a quick blow by blow. The first track's riffs are a little derivative, but after multiple listens, the song does stick in your head. Track 2 is a much better song with great doublebass work and low picked riffs. Petrucci's picking has definitely gotten faster (like 11min into Track2, and is that the keyboard doubling that riff? Geez!), some very fast solos here, and unnervingly clear of course, not a single missed note. Track 3 starts off with an acoustic guitar, and is a bit softer, but gets heavy pretty quick. Track 4 has some nice vocal melodies and some great riffs, it's probably the best song on the album. Track 5 is a short string, piano and vocal piece, basically the only soft song on the album, but again, not positive in the least. This is followed by a longer instrumental for track 6 that uses several themes from track 5. The instrumental is great until a bit in the middle that sounds too similar to a riff from Liquid Tension Experiment, and seems totally out of place in the piece. Thankfully the song is very long, so you still get a lot of goodness in there. The last song is a little over the top for my taste in the theatrics department, think the end of "Inner Turbulence". Upon first listen, I was a little disappointed with this cd, but it was good enough to get me to listen to it a few more times, and now I'm digging the material a lot more. Overall, it's a lot angrier, and I miss some of the variety and think a few of the songs are slightly too straight forward. Not as good as their last two albums, but leagues ahead of "Falling Through Infinity" (their worst album IMO), and a required purchase for any fan.
• Official Bootleg: When Dream And Day Unite Demos 1987-1989 (2004, Demos) A 2 CD set that contains a LOT of demos from When Dream And Day Unite. The 1st cd starts off with instrumental demos for just about the entire album, as well as 2 new songs, which are ok, but, well, I see why they were dropped from the album. Then 3 songs with Charlie doing his vocals overtop. All these songs are sort of muffled, but the sound is reasonably clear. The 2nd CD starts with again, just about every song off of the full album in demo form, this time with vocals, and better production. Then there's 5 songs from the X-mas demos in 88, a version of 'To Live Forever', the mission impossible theme, a medley of stuff, 'O Holy Night', and then a song called 'A Vision '89'. The reason I bought this CD was because I really dug their first album, but before buying it yourself, consider the following 2 things: one, the songs presented on this cd are almost identical to their album counterpart except for lower production value, and two, you're going to hear 2 to 3 versions of the same song over and over again. If you're down with that and still want to check it out, then sure, this album is exactly as advertised, but I doubt it'll hit my cd player again anytime in the near future.
• Official Bootleg: Master Of Puppets (2004, Bootleg) Imagine you're at a Dream Theater concert, and then bam, the band comes out and just randomly decides to play all of Metallica's "Master Of Puppets" album from beginning to end. Talk about fucking cool, I mean, I doubt Metallica has the chops left to do it. Sound wise, while it's called a bootleg, it really has the production of any good quality live album, plenty of bass and great sound. Performance wise, John plays a wicked guitar, Mike does his best Lars impression, and does a fine job of it, James does prog the vocals up a bit, but overall it's so much fun hearing these classics in a bit of a different light. Some of the guitar solos are done on keyboard, otherwise, the keyboards are pretty absent, but this is more of a spotlight for the guitar and drums anyways (and the occasional bass solo, like in 'Orion'). Expect basically a note for note rendition of each and every song. There's a bootleg of this show going around in mp3 format, and while the sound on that isn't fantastic, it does have one thing over this "official bootleg", which is in that version you can actually hear the audience. And that's sorta cool, because you get to hear the crowd go apeshit when they realize that Dream Theater is about to play the whole album in its entirety. A must buy for any fan of Dream Theater or Metallica (old Metallica, of course).
• Live At Budokan (2004, LiveCD) A 3 CD set of a recent live performance from the band. I won't give you a blow by blow of each song, but I'll speak of some of the highlights, first, the album starts and ends with the first and last song off their new album, which are two of my least favorite Dream Theater songs, so thankfully there's hours of other music besides that to enjoy. Disc 1 starts with 'As I Am' and 'This Dying Soul', track 3 is off of "Scenes From A Memory", however, there's a 7-8 minutes guitar/keyboard jam session in the middle of it, I personally think such freeform sessions should be kept towards the end of the concert, since it slows down the pace and energy of the concert's opening. Anyways, then they play 'Hollow Years', probably one of the best renditions of it I've heard, followed by 'War Inside My Head' and 'The Test That Stumped Them All' from "Inner Turbulence". Disk 2 has a 12min medley including stuff from "Scenes", 'Erotomania', the original 'Metropolis', the liquid tension cds etc, it's ok, but I'm not a huge fan of rearranging clips from songs into medleys. Track 3 is where stuff starts getting really cool again, with a full rendition of 'Trial Of Tears', which is not only a beautiful song, but really well executed. Disc 2 ends (after a quick keyboard solo) with 'Only A Matter Of Time' (from their first album), another great song and good performance with a few minor tweaks to give the song a little more variety in the dynamics. Disc 3 opens with 'Goodnight Kiss' and then my favorite part off of "Inner Turbulence", 'Solitary Shell', although I really don't think James needed to remind the audience again and again to "sing along!" Then a great performance of the instrumental track off of "Train Of Thought", and a hauntingly beautiful version of 'Disappear' (this song and 'Goodnight Kiss' are probably the best stuff on this third disc, James does a really goods job with the quieter songs). Anyways, with close to 3 hours of music from the band, a lot of great songs, and almost studio quality production (yet still plenty of crowd noises to keep the recording live), there's no reason in the world not to buy this ASAP.
• Live At Budokan (2004, DVD) This is probably the best filmed concert I have ever seen period. See my review of the CD version of the concert for specifics about songs, but from a video perspective, this is simply amazing. The camerawork is great (instead of that studio taping feel the recording quality is more akin to actual film), the cuts are done perfectly with fast cutting during the faster songs, and slow fades in the slow songs, no cheesy visual effects thrown in. Three hours is awful long for a concert, but you can skip any songs you're not a fan of, and it's downright scary thinking about how these guys have memorized that much music, absolutely sick. I'd give this DVD a perfect score save for one problem, the initial pressing of the DVD includes an error in the 5.1 audio, half way through the concert the mix gets totally screwed up. The stereo channel is fine, but if you have 5.1 surround I highly recommend visiting this page and getting a free replacement from the record company. The 2nd DVD has some bonus extras. The documentary on the Train Of Thought tour is interesting, but doesn't get into too much detail. The guitar world section is basically just John showing his rig, amps, and pedal board, I had assumed it would be some guitar instructional stuff, but no. The drum solo from Mike is an odd solo, it's starts off pretty low key, then he gets members from the audience to come up and drum with him, which is a cool idea, and certainly creative, but doesn't add up for something terribly high energy. So the bonus DVD isn't fantastic, but the concert is certainly must have.
  
• Images And Words: Live In Tokyo / 5 Years In A LIVEtime (2004, DVD) 2 DVD set. The first is their "Images And Words: Live In Tokyo" tape, a live performance from tokyo between their "Images and Words" and "Awake" albums. Includes 8 live songs, mostly from their 2nd album, and a few from their first, highlights include 'Under A Glass Moon', 'Ytse Jam' and 'To Live Forever'. The production is great on these songs, although possibly a little bass lacking, and the videotography is great too, lots of cameras, and the camera angles and pacing compliment the music as opposed to becoming too distracting. Also includes some early music video from the band, and enough behind the scenes stuff to be interesting without getting boring. The 2nd DVD is their "5 Years In a Livetime" tape, which I reviewed above already. Their songs 'Cover My Eyes' and 'Speak To Me' are reason enough to own this. No Dream Theater fan should be without these two on DVD, so go get it ASAP.
• Official Bootleg: When Dream And Day Reunite (2005, Live) I suppose I have a bit of a different view of this cd due to the fact I actually attended this concert live, but before getting into that, a little background and information. On the 15th year anniversary of the release of the band's first album, "When Dream And Day Unite", the band decides to play the entire album live to their fans in Los Angeles as the 2nd half of a 3.5 hour long show (yes, the band's shows do go long). They then follow that up with two more tracks, 'To Live Forever' and 'Metropolis Part 1', where they had some very special guests, Charlie Dominici, their original vocalist, and Derek Sherinian, one of their former keyboard players. A very exciting event to be sure, and that's the part that this cd just doesn't seem to quite capture. I mean, a cd will never be as cool as being there when it happens live, however, I feel the band could have done a few things to get it closer. For example, I remember vividly when the band announces at the beginning of the second set that they're about to play their first album in its entirety, and the room went apeshit. Recording that little intro would have been a spectacular way to start the cd, instead, you get a quick fadein with some very quiet crowd noises followed immediately by the first song. The crowd in fact is I suppose the missing element to this. This album is very well recorded, fabulously produced, sounds great, and the performance is excellent, but one thing that made that evening so amazing was the connection between audience and band, so without the audience in the recording, you're only getting one side of the picture. Maybe this will come across better in DVD, and it's certainly great to hear this classic album performed by the current lineup, but if any of the band is out there reading this review, please oh please in the future include more of the crowd in these recordings. A must buy for any fan of the band, but I'm just a tad disappointed.
• Official Bootleg: When Dream And Day Reunite (2005, DVD) See my review of the CD above for more details on the show, but there's a bunch of stuff to add for the DVD edition. First off, they DO start the DVD with Mike announcing to the crowd that they're going to play "When Dream And Day Unite" in its entirety, and so that right off the bat made me way happier, the crowd is definitely a larger part of the DVD than it was on the CD. Camerawise, this is a fantastic recording. Lots of camera angles, a nice even pace switching between cameras, and almost no cheesy effects, just the concert in it's pure form. What can I say, wonderful, excellent. Perhaps the best Dream Theater concert DVD yet, assuming you're a big fan of their first album of course. There's a ton of extras too, commentary on the show, a sound check, and a 70min documentary which contains the band from 15 years ago talking about each song on the album, each other, the band dynamic, etc. And it also includes just about the entire first album recorded live 15 years ago with the original lineup. So if after seeing their first album performed live in 2004 isn't enough, watch the whole album performed again back in 1989 :) More stuff than you could possibly want, a must buy.
  
• Octavarium (2005) For a moment, I was worried. While I enjoyed their last album, I still feel that it's some great material bookended by two bad songs, the first and last. When I popped this, their 8th album, into the cd player, I am again confronted by a hohum song for track 1. Has history repeated itself? Thankfully, not only are the middle tracks great, but the last song is great as well. Now for the usual blow by blow, the first song is very similar in style to 'As I Am', a midpaced rocker who's main theme never seems to make a strong statement, I've heard stuff like this before. Track 2 then brings it down a notch (speed wise, it brings the album up several notches in quality) to a ballad reminiscent in style to the 'Hollow Years', but it sounds fresh and new. I mean, if I can guess the chord progression of a song, what's the point? (within reason of course, a song that's too random is just as pointless). Track 3 has a nice heavy and low guitar riff and has a bit of a 'Blind Faith' feel to it. Track 4 is a high energy positive song that's actually a little reminiscent of U2 with it's chimey and highly delayed guitar tone, but with pure Dream Theater riffs. Track 5 is their frantic song, right up there with the faster material from Metropolis Part 2. Track 6 is very theatrical, Track 7 starts off quite soft and then progressively gets louder and angrier, a song lamenting the events of 9/11. The album ends with the 24 minute title track song, and does a fantastic job of making the listener uneasy and, well, sort of depressed really. The songs starts off with the wails of a solo guitar and held keyboard chords, then the vocals come in with a solo piano and acoustic guitar. One thing I really love about this first bit is how the melody moves forward, and repeats but you don't notice that it's repeated. Tough to explain, but the vocals spill over onto the downbeat of the next bar, creating this cycle where you're never quite sure where the bar begins or ends, much like The Dixie Dregg's song 'Hereafter'. This is enhanced even more with sporadic odd time signature bars, creating a really complex piece that's a lot of fun to listen to musically, and puts the listener off balance, pushing forward their agenda of giving you this uneasy feeling. Then the whole band comes in, grows, and then diminishes again for the finale. A more varied album than "Train Of Thought", you have heavy, you have light, even some symphonic elements. I keep thinking to myself this is the album "Falling Through Infinity" should have been, it has some of the same vibe, but the songs are far more complex in their melodies and structure. This album will find a nice comfortable spot high above "Train Of Thought", but below their ultra classics like "Awake" or "Metropolis Part2". Nice to see the band back on track, and hope they keep it going with another 8 albums at least.
• Score: 20th Anniversary World Tour Live With The Octavarium Orchestra (2006) 20th Anniversary live show from the band. First off, I'd just like to say that I think it's kinda silly to release a live album so soon after their last live album. That seems like the growing trend these days, and I'm not a fan of it, there is no reason to release a live album after each and every studio album. That being said, I have to admit that just about all the songs on this album have never appeared on any of their previous live albums, and so for that I'm grateful. In fact, they put some really obscure songs on this CD, such as a Majesty song 'Another Won' (you can really hear the band's Rush influence on this track), and a track that never made it onto "Falling Through Infinity" called 'Raise The Knife'. They also play 'Under A Glass Moon', 'Innocence Faded', it's just nice to see the band not playing all their "hits", but instead playing the more obscure stuff that we haven't heard live before. The basic format is they play most of their recent album "Octavarium", and 1 song off of each of their studio albums. They also play the song 'Six Degrees Of Inner Turbulence' in it's entirety with a full orchestra. As a solo thing, the orchestra is so-so, but they do a great job of accompanying the band. A good example, during the Overture of 'Six Degrees', the orchestra fails to capture the 'bite' of the recorded version. Maybe a snare drum would have helped, or maybe it's a tempo thing. There's some great spots in the recorded version where the band seems to rush through sections, and then slow down again. The orchestra goes for metronome precision which kills some of the organic feel to the piece. But again, when they back up the band, like in the song 'Vacant', they do a great job. The album finishes with the song 'Octavarium' (where we get to see a long solo by Jordan, I had no idea that the entire intro was him with no guitars) and finally 'Metropolis'. Production is excellent, and there's so much material it spans 3 CDs, so you definitely get your money's worth. Again, I hope they wait another 3 or 4 albums before doing the live album thing again, but as it stands, I did enjoy this album, if for no other reason than the rarities it presents.
• Score: 20th Anniversary World Tour Live With The Octavarium Orchestra (2006, DVD) The DVD version of the concert. For most of my comments, see the review of the CD version. As a DVD, it's really well done. Very few "effects" to get in the way of the performance. Lots of cameras, and the guy switching between views isn't on crack, he lets the camera sit on a performer for a decent amount of time before moving onto the next. But the thing that really stands out is a 60min documentary on the extra features DVD, which chronicles the entire history of the band. The band discusses everything, from them meeting at school, to the first record, to their departed members (which includes separate interviews with Charlie Dominici and Derek Sherinian), even discussing in great detail the label interference that almost broke up the band after "Falling Through Infinity". Even John Myung gets interviewed. The whole piece comes off very genuine, as though you're sitting down with the band and they're willing to discuss the full story, not just the good stuff, but everything. Again, while I hope the band will stop releasing a DVD after every album, this DVD is excellent with some absolute must have material, and a must buy for any fan.
• Systematic Chaos Special Edition (2007) Ninth album for the band. After a complex concept album for "Octavarium", this cd is far more song oriented. But there's still plenty of that epic touch, what with the album starting and finishing with Parts 1 and 2 of a 25minute song, and many songs passing the 10minute mark. Everything starts off with 'In The Presence Of Enemies - Part 1', which is my favorite track on the album. It reminds me very much of epic songs like 'Scenes From A Memory' or 'Scarred' with an excellent mix of heavier bits, lighter bits, keyboard driven riffs and time signature complexity. For the most part, the rest of the album is much heavier, not quite as heavy as "Train Of Thought", but still dark and moody. Track 3, 'Constant Motion' is the first single, and is a good rocker with mild complexity and some good hooks. 'The Dark Eternal Night' is probably the heaviest Dream Theater song ever, with really detuned guitars, lots of doublebass, and even some vicious / distorted vocals at the beginning. The only quiet part of the album is track 5, 'Repentance', which is the latest part to Mike Portnoy's songs about AA's 12 step program. It's quiet, but it's dark stuff. Tracks 6 and 7 is ok, but the songs don't grab my attention like the rest of the album does. The CD ends with Part 2 of 'Enemies', which is a great song, and overall a lot heavier than part 1. A worthy album for all Dream Theater fans, my only critique (and I can't believe I actually consider this a problem), is that the last 3 Dream Theater albums have been really heavy. One thing I like about the band is the contrast they provide, from really angry and heavy songs to stuff that's a bit more hopeful, or at least lighter. I'd love to hear a few more songs like 'I Walk Beside You' from "Octavarium", or 'Solitary Shell' from "Six Degrees". The only song on this album that contains anything remotely light or positive is some themes from the opening track, otherwise everything else is super dark. I hope in future albums they push the lighter side of things a bit more to regain some of their balance. But that said, this is another must buy album for the band. The special edition comes with a 90min documentary that gets into the nittygritty of the band recording the album. Every song is dissected, what the lyrics mean, how some of the parts are written, interviews with band members about the tracks. Tons of footage showing the band performing the songs, for those of you who want to see guitar fingerings or drum parts. Pick up the special edition, it's worth the extra money.
• Official Bootleg: New York City 3/4/93 (2007, Live) 2 CD set from 1993. Since the band only has 2 albums to draw from at this point in time, there isn't a huge variety to the songs. However, there's a few good reasons to pick this up. Number 1, the quality is as good as any of their official live albums. Second, it contains a number of rare tracks. First you get 'To Live Forever', back when it was just called 'Forever'. You also get a live version of their song 'Eve', which never appeared on any of their official releases. Also, a live copy of the intro song 'Another Hand', before performing 'The Killing Hand' from their debut album. And the biggest bonus, a live version of the original 'A Change Of Seasons', which is radically different in structure from the copy they recorded for their EP. And they end it all with 'Learning To Live', which is one of my favorite DT songs. If any of these rarities sound interesting to you, I recommend grabbing this cd.
• Official Bootleg: Falling Into Infinity Demos 1996-1997 (2007, Demos) A 2CD set of demos for the 'Falling Into Infinity' CD, and man there's a lot of songs on it that never made the album. A few highlights, this album starts with 'Raise The Knife', which was later included live on the band's "Score" album, but here's the original demo. Another new song 'Where Are You Now'. The song 'You Or Me', which is basically 'You Not Me' but with a slightly different structure. The 'Burning My Soul' demo is basically the song from the album + the intro 'Hell's Kitchen', except most of the intro is stuffed into the middle of the song as an interlude. The songs 'The Way It Used To Be', 'Cover My Eyes' and 'Speak To Me' have been available on fanclub CDs and net downloads, but here they are all together in one easy to get package (And these are slightly different versions, for the collectors among you). And the album ends with a 20 minute live rehearsal of 'Metropolis Part 2', which is the infancy stage of the music that eventually became their 4th album. A really enjoyable CD filled with lots of rarities and good songs you may have never heard.
• Chaos In Motion 2007 / 2008 (2008, Live CD / DVD) Yet another live CD / DVD from the band. Ah well, at least it's predominantly all new material, with almost no repeats from their other live albums. But unlike their other live releases, this isn't a single concert, but songs from a number of different concerts on tour. This is kinda cool, it means you get to see them on multiple nights, but it also means you have some variety in the recording quality, since each show is at a different venue. It's not too distracting, and the band uses little vignettes to blend the different performances together. But not every song gets the same polish. Like their performance of 'Blind Faith' seems to have been taken on an off night for James LaBrie, and the guitar sounds kind of weak. Plenty of good spots though, they play 'In the Presence of Enemies' as a single song which is really cool, and James has a really on night, his voice in the middle of the song has a real nice bite to it. I'm also really happy to hear a live version of 'Scarred' that includes the full ending (when they performed the song on their "Once In A Livetime" CD, they stop the song before reaching it's original end). The camera work is decent, they don't switch too fast, but there's also a lot of video artifacting. Maybe the fact they try and compress a full 3 hour concert on a single DVD means the quality is a little low. The 2nd DVD contains a big making-of documentary that's top quality, I always love Dream Theater Documentaries, they always manage to come up with some fun new peak into their lives. Also contained in the package is the whole concert on 3 CDs, same thing applies here, some of the recordings aren't as good as others. This is a decent concert from the band, but I think their other live CDs / DVDs are generally better quality. If you can buy only one, check some of their other concerts out. But if you love this band, this is certainly worth owning.
• Black Clouds & Silver Linings (2009) 10th album for the band, a rock solid record with some epic song lengths (only 6 songs make up the entire 75min album). Track 1 is a nice combination of progressive and heavy. The song is generally more metal at the beginning and end, and in the middle has a really nice acoustic break with a very memorable chord progression. Drummer Mike Portnoy has a lot of fun playing a multitude of double bass patterns over top of the same guitar riff, giving a lot of variety to the rhythm. And as a reader pointed out, it contains the very first example of Mike playing a blastbeat in a Dream Theater song! Track 2 is a little more standard "Dream Theater", with a egyptian sounding progression not unlike 'Home' from "Scenes From A Memory" Decent song, but nothing unique. Then the shortest song on the album, a ballad that starts off with an acoustic guitar that sound shockingly like the beginning to Metallica's 'One', but then quick descends into a very different song, which is again decent, but nothing super special. Track 4 is the finale to the Mike Portnoy AA songs, and as such, it borrows riffs from a lot of their older songs, which will make a killer ending once all of the songs are performed in their proper order. Overall it's probably one of the band heavier songs, only surpassed by last album's 'The Dark Eternal Night'. Track 5 is a rather nice happy tribute song to Portnoy's father who died during the recording of the album, and it's a very uplifting and positive tune. The finale, clocking in at 19 minutes, is another heavy / progressive tune, the softer bits again have a super memorable riff, and the heavy parts are really fun. Overall, the best songs on the album are the first and last, and after multiple listens are really up there with some of the Dream Theater greats. The rest of the album is decent, so as a whole it may not be the band's best album ever, but a very solid release that is absolutely worth grabbing. The special edition also contains 6 cover songs, and then instrumental versions of all the songs.
• Wither (2009, EP)
• A Dramatic Turn Of Events (2011) A Dramatic Turn Of Events indeed, as I'm sure you already know, founding member and drummer Mike Portnoy left the band, and the band has decided to continue on with a new drummer, Mike Mangini. In quick order, we have a brand new album, and so obviously the question on everyone's mind is, is the album without Portnoy as good as their previous material? Well, considering the various ups and down in the band's music catalog, it would be pretty tough to make a broad sweeping statement after only a single album. But overall this album is a really nice piece of work. Perhaps a little derivative at times (someone on the net pointed out all the connections between this album and their major label debut "Images And Words", I'll get to that in a bit), but still a very solid piece of work. Since we have a lot of variety, I'll go into it song by song. The first song is the first single, and the most derivative. The main 2 riffs are almost identical to the main two riffs off of 'Pull Me Under'. Basically it's the same song, just a reinterpretation. The second song 'Build Me Up, Break Me Down' is much better, it's a nice heavy slow song with some nice hooks. Song 3 is another derivative song, it borrows heavily from riffs in both 'Under A Glass Moon', and also the solo sections are almost identical to the solo sections of "Image"'s third song 'Take The Time'. Track 4 is a nice power ballad that starts off quiet and acoustic and works its way into something more electric. Track 5, 'Bridges In The Sky' starts off with a tambourine intro almost the same as the intro to Image And Word's fifth song 'Metropolis', but thankfully it changes quickly into something else entirely, with some tuvian throat singing and complex soloing and epic song length. Track 6 is all about war, and is another standout track. There's one part in the solo that sounds a lot like Vince DiCola's work in the Animated Transformers The Movie Soundtrack, it's funny to hear synth pop stuff like that referenced here, but it works within the context of the song. Track 7 is a shortish duet between vocals and piano in the same general vein as 'Disappear', but thankfully not borrowing the same chord progressions. Track 8 'Breaking All Illusions' is the last long track on the album, and borrows heavily in the beginning from 'Learning to Live', but thankfully goes in a different direction later on, and has some really good melodies. The last track on the album is a nice duet between vocals and acoustic guitar that could have easily gotten boring if it weren't for some strategically placed "missing notes", basically you think the riff is going one way, and they remove a few expected notes to make it a more odd meter. I really like this song a lot, similar in style to 'Hollow Years' (but again, a different chord progression), my only critique is that it really does build to the point you'd expect the electric guitars would come in, but they never do, which is a bit of a letdown. But I suppose the fact I was expecting the electrics coming in was why they don't, they are trying to do something a little unexpected. So that's the rundown, I'm sure the big question on your mind is Mike Mangini, does he do a good job? Yes! Is he as good as Mike Portnoy. In my opinion no, but it's a difficult call. I would say the drumming on this album is a little simpler than I'd normally expect on a Dream Theater CD, and it also lacks some of the frenetic energy that Portnoy brings to the kit. That said, it's still really complex and really well done. Also, I know that Mangini wasn't included in the writing process for the new album, so he probably didn't have as much input as you'd expect Portnoy had. So anyways, I'll reserve my judgment on Mangini until their next CD, where I assume he'll be a larger part of the creative process. On the whole similarities thing to "Image And Words", it's obviously done on purpose, since it's not just they do similar riffs, the riffs match up in the same track order. It does bug me on a few songs, but there's plenty of other less derivative songs to love. And who knows, maybe other people will see it as more of a tribute than derivative. Whatever works for you. Their last album to me has 2 masterpieces, the first and the last song, and the middle songs I almost never listen to. This album doesn't have any masterpieces, but it has far more great songs. This album will be yet another fantastic  addition to the band's catalog, and I'll be listening to it a lot in the coming years I'm sure.
• Dream Theater (2013) A much more solid effort than their last album. While 'A Dramatic Turn Of Events' had a few 9s, the album also had a few 5 or 6s. This album doesn't have any 9s, but basically ever song is a strong 8. First off, the drumming is way better. While I will always miss Mike Portnoy, Mike Mangini got a chance to participate on the writing this album, and it really shows. Sometimes on their last album I felt like he was basically just keeping time, like he was so freaked out about making a mistake he played too wooden. Well, on this album he's really come alive, adding some great fills, and overall has a much better presence. I won't go through all the songs, but I really like track 3, which has a nice guitar driven 80s metal sound, in the same vibe as Liquid Tension Experiments 'Kindred Spirits'. Then track 4 is sort of a reimagining of 'Ytse Jam', with many similar melodies, but some new cool stuff to. Track 7 has a really nice intro similar too something Rush would put out, which then moves into a much heavier sort of riff, before eventually making its way into Rush territory again. And the album closer is a nice 22 min song which includes a full orchestra in the middle and lots of cool passages. A few other notes, vocalist James Labrie uses a lot more vocal effects on this album, and I'm not really digging it, I prefer when he goes clean more. And also a lot of the songs end "unresolved", as in, instead of ending on the same note the riff began with, it ends on the note before that note, creating musical tension. Not a bad thing necessarily, but a noticeable thing. In general, I really dig this album, and I think all Dream Theater fans, especially the fans of the proggier side of the band, will enjoy their latest.
• Live At Luna Park (2013, Blu-ray/CD) Over 3 hours of live music from the band recorded at a concert in Buenos Aires. First off, this was recorded before their latest album came out, and if you're a fan of their "A Dramatic Turn Of Events" album, you'll like this concert because they play almost the entire album during the concert (I expect this was so new drummer Mike Mangini didn't have to learn that much new music). So expect to see a lot of music that you don't normally see from them, even from among their older material, which is good, but it also means that they play some songs that I'm just not as into. Overall the performance is good, one thing I didn't dig was that vocalist James LaBrie does a little too much vibrato and other antics which causes him to go off pitch. He's always done some of this live, but I feel this concert he goes a little overboard. Why not most of the time just sing the note? You don't need to go crazy fancy with it, a clean powerful note can be a beautiful thing. Thankfully, he does much better during the quieter songs like 'The Silent Man' and 'Beneath The Surface', he keeps things a little more low-key. Mike Mangini does a good job with the songs, both new and old, but he also plays a pretty pointless drum solo, that's not fast enough to be impressive, and not musical enough to be cool. Could have skipped that. It is fun though watching him during various songs play fills that involve jumping between his kit under his hands and the toms above his head, that requires some serious skill. Not to mention his one handed snare interlude during 'Fortune In Lies'. By contrast, the guitar and keyboard solos are great, both very musical with just a touch of flash. Best performances: 'Far From Heaven', 'These Walls', 'Surrounded', and 'Breaking All Illusions'. The Blu-ray is well done, lots of camera angles, the camera switches at a good even pace. The band is fun to watch live. While not a must have live concert, it's very well done, and probably worth grabbing if you're a fan.
• Happy Holidays 2013 (2013, Digital Live) Basically a set of outakes from their tour that eventually led to the "Live At Luna Park" Blu-ray/CD. So if you want to hear the other songs you missed, here's your chance. The sound quality is good but lacks bass, the performance is standard Dream Theater live. I was excited to see 'The Count Of Tuscany' in there, as its one of my favorite songs of theirs, and they do a few interesting things with the song, but also some not so good stuff (like removing the awesome drum fills at the end of the song), so it's a bit of a mixed bag. Also includes 'Learning To Live', which we've heard live before, but it's again one of my favorite songs, so I always appreciate hearing new versions of it. This album is free, so no reason not to grab it, even though there's better recordings of the band out there.
• The Astonishing (2016) Imagine that the second Disc of "Six Degrees Of Inner Turbulence" was in fact 2 hours long, and you get some idea what to expect with this album. I'm sure most of you know the details, the band decided to do an epic 2 disc concept album in the same vein as their breakout "Scenes For A Memory". Possibly due to watching too much Game Of Thrones, guitarist John Petrucci created a story of kings, queens and rebellion in a steampunk world where music can be used to inspire or to kill. The overall results are decent, it doesn't reach the pinnacle of "Scenes", but a really great effort that has much of the same flavor. The story, while not strong enough to be its own TV show or anything, is certainly well laid out as a support structure for a music album. Music wise, it's the usual combination of rock opera, orchestral bits, ballads, more metal parts. 34 songs and over two hours, don't expect any super long songs, but the sum of them all is pretty damn long. James LaBrie does a great job trying to bring the various characters to life with his voice. I'm sorry to say the drumming is again a little bit mechanical on this release, I'm sorry, but I miss Portnoy. His drumming may haven't been perfect, but it had such great energy, whereas Mangini is just too perfect, it lacks that spark. Anyways, some great standalone songs here that work on their own as well as part of the greater story, the first single 'The Gift Of Music' has a nice 'Spirit Of Radio' vibe to it. I also love the piano part in 'A Tempting Offer', very unsettling, and how to becomes the main theme of the song. Anyways, a solid album harkening back to the epic aspects of the band, I suspect fans will dig it.
• Distance Over Time (2019) After an epic two disc concept album that put the theater in Dream Theater, the band decided to go for something shorter and simple this time (simple being of course relative, no 10 minute plus songs on this one, but a few 8s and 9s). The result is a mixed bag. It mostly comes down to the riff. The performance is of course strong. The musicianship excellent. But too many of these riffs just seem too familiar, and so won't be as much play in my rotation. Highlights on the album include 'Bar Stool Warrior" which does have enough unique sounding riffs and interesting chord progressions to keep things fresh. And 'At Wits End', which is has a few recycled riffs, does feel inspired instead of a pure rehash. Otherwise, much of the rest doesn't rise to the level of their previous work. Maybe I've just fallen out if love with the band, but I feel their best days kind if went away with drummer Mike Portnoy. I'll keep my eye on future releases to see what they continue to produce, I so want to be surprised again with another gem from the band.
• Distant Memories - Live In London (2020, Blu-ray/CD) A 3 disc set, which contains a complete rendition of "Scenes From A Memory", and then a smattering of newer songs to fill out the set. Technically quite good, the mix is strong, and performance tight. But considering we already have a live CD of "Scenes" from 20 years ago, this new one doesn't really offer much that we didn't already have. And in the areas where they do try and do something a little new, like the drum solo bit at the end of 'Finally Free' with Mike Magini, it just doesn't hold a candle to the drumming that Mike Portnoy did on the original. The performance of 'At Wit's End' and 'Barstool Warrior' are nice to hear live, but then they play 'In the Presence of Enemies Part 1' which again we already have an excellent version of on their live album "Chaos In Motion". So the bottom line is this is a decent live recording, but I feel it doesn't break any new ground. For completists only.
• A View From The Top Of The World (2021) A decent album from the band. I'd love to say a classic album. Or a fresh and inventive album. But sadly, the best I can muster is that it's decent. As with much of their last album, the songs all sound too similar to material they've explored before. It's all done with amazing musicianship, but just lacks those riffs or hooks that make me go "wow, that's awesome!" The best song on the album IMO is 'Transcending Time', which manages to throw a few curve ball riffs in there, it has that positive vibe that's reminiscent of 'I Walk Beside You' without directly borrowing any riffs. But much of the rest of the album is pretty unmemorable. Maybe the band has just run into the limitations of their own style. Maybe the fans don't want them to explore new territory. But if this truly is progressive music, I'd like to see more progress, some innovative material that then also contains a few of the band's hallmarks as to not completely go off the rails. This album just feels too safe. If you're a big fan of the band, it's solid, you'll probably dig it, but I think I've reached the point I just pine for something slightly more unexpected.
  

• Rituals of the Red Sun (2023) Brutal death metal band from Australia. Basically a combination between Disgorge and Disavowed, so very fast picked parts mixed with slower groovier parts. The song structures are a little more straightforward than Disgorge, and honestly that works to highlight some of the riffs. While it does suffer slightly from what afflicts most brutal death metal (a sameness to the songs), there's enough standout riffs and interludes here to provide audio signposts to where you are in the album. Great bass heavy mix, overall enjoyable album, well worth a listen.
  

• Born From Impurity (2009) Nice old-school European Death metal in the style of Obscenity, Altar, Iniquity, or Brutality. Plenty of tremolo picked guitars, doublebass and blasting, the vocals are lowish growling (not the super low gargled stuff). The production is nice, although the band could be a little tighter. The riffs are generally good, but overall falls a little flat, they need just a few extra amazing riffs or super intense parts to allow this cd to rise above the other stuff out there. That said, this CD is very enjoyable, and well worth checking out, especially if you can't get enough of that early 90s metal scene.
  

• Bathe In Entrails (1993, Demo) Thick and pounding death metal. The production isn't great, but it's very bass heavy, and shows lots of potential.
• Infatuation With Malevolence Demo (1994, Demo) A lot more maturity is found on this four song demo. Good riffs, some fast stuff, some slow stuff, great song writing. The band switches from bizarre tapping riffs to a super chunky grinding riff with incredible precision. They use two singers, one does this medium pitch growling, the other these really low vocals, and the occasional high pitched scream. The production is also excellent.
• Infatuation With Malevolence (1994) Bathe In Entrails + Infatuation Demo released on one CD.
• Purification Through Violence (1996) Basically just more of what made their last album great. Better sound, better riffs, better song writing. Even more crazy vocals. A must have album.
• Killing On Adrenaline (1998) Another rock solid release. Taking the intensity and style of the previous albums and knocking it up another notch. These guys are consistent if nothing else, excellent production, razor sharp guitars and massive bass, strange sweeping riffs, fast double kicks (but a really pathetic sounding snare, sounds more like a "pop" noise), really extreme vocals, and crazy intense rhythms that are chaotic but still retain integrity thanks to excellent song writing. If you liked their previous stuff, this is more of the same, it'll slam you around and make your ears bleed, guaranteed.
• Grotesque Impalement (2000, EP) Two songs originally from Infatuation With Malevolence Demo, but re-recorded in '99, 3 cover songs, and one silly intro. The 5 songs have excellent production, but I had hoped for at least one new song instead of just some odds and ends. I guess I'll just have to wait for the new album.
• Infatuation With Malevolence Re-release (2000, CD Reissue) Their original first album, but with an extra track from the Infatuation With Malevolence session (Just a short intro piece with lots of fast soloing, nothing major), and, here's the cool part, 3 live tunes. I wish they had released a whole live album, but these three songs are still great, good production with everything clear in the mix, and brutal as hell. The songs are possibly faster then their album counterparts, yes, it's true. If you don't have Infatuation With Malevolence yet, here's three more reasons to get off your ass and buy it. And three reasons to buy it again if you already own it.
• Destroy The Opposition (2000) Not much to say really. This album sounds just like "Killing On Adrenaline", same need for speed, same brutality, pretty much perfect production (this album has slightly more treble and slightly less bass then the last album, but that doesn't detract, it just makes it sound a bit different). They even fixed the snare sound! The songs are all phenomenal, the riffs are as usual all very catchy and original sounding, I think it's safe to say after 4 major releases this band can't release a bad album. Of course, the band hasn't evolved much either, but when you stumble on the perfect formula, hell, I say go with it. Highly recommended to all Fetus fans.
• Stop At Nothing (2003) After a monumental shakeup that left the band with only it's founding member left, the big question is would the band go on, and if it did, what would be the result? The result interestingly enough is still Dying Fetus. Still plenty of tapping riffs, squawks, low / high dueling vocals, blast beats, tight production. Basically, everything that made DF DF is still here, and in fine form. John Gallagher (only surviving member, vocalist / guitarist and main songwriter for the band) got together a fine set of musicians, and the music hasn't skipped a beat. In fact, it's improved on things in some ways, I personally find the songs on this album more satisfying than their previous effort "Destroy The Opposition", although "Killing On Adrenaline" is still in my opinion their best album (and I still do prefer the drumming of Kevin Talley, he's slightly more chaotic, although in no way should that detract from Erik Sayenga's performance on this album, which is top notch, if only slightly more straight forward). The previous members of the band went off to form Misery Index, who're making great music in a slightly different style, so really there are no losers here, everyone comes out a winner now with two great bands to listen to instead of just one, disaster averted, breath deeply and then please return to your daily lives.
• War of Attrition (2007) While containing all the usual Dying Fetus elements, I have to say this album just doesn't grab me in the same way their older material did. After I finish listening to an album, I want to be able to go "Damn, I gotta listen to track 5 again, it had that great breakdown in the middle that totally rocked." Instead, I finish the album and go "Hmmm, I can't remember a single song I just heard". Maybe it's just my mood, but the material on this CD just seems too much like stuff I've heard from the band before. From a purely technical standpoint this CD is awesome, lots of fast stuff, some groovier bits, excellent production, super low gargled vocals, technically stellar in performance and recording. But the songs just aren't distinct enough. I'll put it in the same category as their "Destroy The Opposition" album, so if you still liked that album, you should like this too.
• Descend Into Depravity (2009) As far as I am concerned, this band's first 3 albums are just perfect, the best being "Killing On Adrenaline". All the albums after that, although decent, don't live up to that perfection, probably due to band politics, and then the eventual lineup changes that has plagued the band for the last 10 years. Well, this album is the first album from the band to match those first 3 albums. It just comes down to awesome riffs. Riffs that retain the Dying Fetus style, while still sounding like nothing you've ever heard before. Almost every song is just overflowing with memorable riffs, from super blasting underneath slow chunky bits, to crazy tapped riffs, to fast blasting. The album reminds me very much in style to the band's debut "Infatuation With Malevolence". My only critique at all is I feel the bassdrum sound is too quiet in the mix, too much tick, not enough thump. Otherwise, this is the album that the older fans of the band have been waiting for. Just really spectacular, this will be in my daily rotation for weeks and weeks to come.
• History Repeats... (2011, EP) What I like about this EP is that the band takes these cover songs are makes them their own. Fetusizing such classic bands as Napalm Death, Broken Hope, Cannibal Corpse. I also am glad to see "Unleashed" by Bolt Thrower, Bolt Thrower cover songs are tough to come by, and Dying Fetus does an excellent job with the song (although in some ways it's the least modified of the covers). I also dig the Pestilence cover, it's nice to see some obscure songs on this album, and 'Twisted Truth' certainly fills the bill. The song only original song on the album is 'Rohypnol', which is only 45 seconds long. Not worth buying the album for, but the rest of the songs are cool, so I have to recommend grabbing a copy of this limited edition EP before it disappears.
• Reign Supreme (2012) Another really solid album from the band. Not quite as good as "Descend", but still plenty of standout riffs that make me want to listen to the songs again (love the riff towards the end of 'Second Skin' with the tremolo tapping). My only real beef with the album is the drums sound very thin, kinda tin can like, especially the snare, it sounds like a tiny pop sound rather than a snare hit, and the doublebass doesn't have much 'umf' to it. Also the last song ends sorta weakly, you want to end an album on a bang instead of slowly fade out on a riff that's meandering. Otherwise, great songs, great riffs, and a strong performance, if you love the band you'll like this one too.
• Wrong One To Fuck With (2017) A definite improvement over their last. In the same general area as "Descend", maybe not quite as good, but pretty darn close. First, the drum sounds are back at full force, which is appreciated. Riff wise, pretty much everything is an 8 or above. I love the main riff in 'Panic Amongst The Herd', I can only imagine the whole concert hall headbanging in unison. Super solid songs, all the elements you know and love from the band are here in spades. A must buy from the band.
• Make Them Beg For Death (2023) Another super strong release, great riffs, excellent sound quality and mix. Everything has a lot of force behind it, the slam bits are brutal, the noodly bits are complex and clean. Lots of memorable riffs. It's tough to pick out any specific part I like the best because everything is right up there. Some of the best work they've done, an excellent follow-up to their also great album 6 years ago. Fans will be plenty pleased.
  

• Dakota (2008) Metal band from Australia, in the same general vein as Lamb Of God or Devildriver. The vocals sound almost identical to Lamb Of God, with mostly screaming, and the infrequent use of sung vocals. The riffs are generally heavier, and the production is thicker than anything LOG has ever done. The songs are medium paced, pretty straight forward stuff. The CD is generally ok, especially if you're a fan of their influences, but I feel there's nothing here to really distinguish them from anyone else. It's well done, but there aren't any specific songs that are like "fuck ya", no super standout riffs, and it's all territory we've heard before. The band could do well if they really worked on their song structure and try and aim for something a little different, they obviously have the playing chops. Probably a try before you buy.

• The Great And Terrible War (2022) A really solid release of old school death metal. Sort of halfway between modern brutal death metal (Analepsy) and old school (Cannibal Corpse). While there are fast parts, things tend to stay slower and mid-paced for the most part. Lots of slower groovy bits, super thick guitar tone, mid range hoarse style vocals. While not a 1 person project, the drums are programmed which is a little obvious, I think a live drummer if they can get one would really help with the organic nature of the music. In general, really enjoyed this, if you want something a little slower with a crazy thick sound and well written riffs, this is just what you're looking for.